In 1592, the Korean Peninsula suffered a surprise attack by Japanese forces, led by Imperial Regent Toyotomi Hideyoshi, who intended to conquer the Joseon-ruled Korean Peninsula as a gateway to the Ming-dynasty-ruled Chinese territory; the initial invasion started the so-called Imjin War which lasted until 1598, for seven years, and just like any other war, […]

Kim Dae-hwan is an up-and-coming South Korean film director; while still in college, he directed two short films, Picnic (2010) and Interview (2011); he introduced his debut feature, End of Winter, to the audience in 2014, while studying post-grad at Dankook University’s Graduate School of Cinematic Content. Two years later, Jeonju Cinema Projects helped fund his […]

The London leg of the 12th London Korean Film festival came to a close this year with The First Lap, the second feature of an up-and-coming South Korean indie filmmaker Kim Dae-hwan, who is being continuously compared to his fellow SK indie filmmaker and film festival favourite Hong Sang-soo – and yet, it is The […]

What motivates acts of betrayal and revenge, two of cinema’s favourite subjects that have been characterised in popular culture in various ways? There is no direct answer to that, but it seems like the attempts to illustrate them as destructive powers had worked out sufficiently thus far. The theme of revenge became somewhat of a speciality […]