Lee Won-tae’s THE DEVIL’S DEAL, Paul Andrew Williams’ BULL, Vincent Grashaw’s WHAT JOSIAH SAW, Masashi Ando and Masayuki Miyaji’s THE DEER KING, Rob Jabbaz’s THE SADNESS, and Alexandre Bustillo & Julien Maury’s THE DEEP HOUSE are among the wealth of final titles announced 

The Fantasia International Film Festival announcesd a massive new assortment of feature films for its 25th edition, along with details on scheduled panels, talks, tributes, special events, and our esteemed juries. On top of the festival’s impressive virtual slate of films, all geo-locked to Canada, and in addition to our globally accessible streamed events, the upcoming festival will also feature a limited number of in-person screenings in Montreal. 

Fantasia begins August 5th with the World Premiere of Quebec zombie feature BRAIN FREEZE— following the August 4th special event screening of James Gunn’s THE SUICIDE SQUAD in celebration of the festival— and ends on August 25th with newly announced closing film, Takashi Miike’s hotly-anticipated THE GREAT YOKAI WAR – GUARDIANS. 


The honour of Closing Film belongs to the great Takashi Miike (AUDITION, 13 ASSASSINS), a constant yet always surprising presence in the festival’s long history. THE GREAT YOKAI WAR – GUARDIANS, a sequel to THE GREAT YOKAI WAR, which opened Fantasia in 2006, plunges the audience into the fairy-tale world of friendly Japanese demons that overflows with creativity. With its kaiju references, unifying story, festive atmosphere, love for popular culture, and spectacular direction from the festival’s favourite filmmaker, it’s the perfect movie to close out this 25th anniversary. INTERNATIONAL PREMIERE. 


In director Vincent Grashaw’s Southern Gothic nightmare WHAT JOSIAH SAW, an estranged family grapples with the sins of the past… yanking the skeletons right out of their closet, kicking and screaming all the way! The superlative cast includes Robert Patrick, Nick Stahl, Kelli Garner, Tony Hale, Scott Haze and Jake Weber. It’s this year’s THE DARK AND THE WICKED. WORLD PREMIERE. 


In his first picture since the Cannes selection THE GANGSTER, THE COP, THE DEVIL, Lee Won-tae returns with the masterfully directed THE DEVIL’S DEAL. What starts as a critical political satire escalates into a white-hot thriller in which corruption, insider trading, and organized crime run the show. Leading a fabulous cast, actor Cho Jin-woong (ME AND ME) delivers one of the best performances of his career, portraying with disarming naturalism the multiple facets of an ambitious and tortured politician, as endearing as he is loathsome, whose life literally depends on his election. With its immersive score, captivating plot, and clever twists, THE DEVIL’S DEAL is a must-see. WORLD PREMIERE. 

A FEROCIOUS BRITISH CRIME THRILLER THAT CHARGES LIKE A BULL A feared gang enforcer (Neil Maskell, KILL LIST), vanished for ten years, returns to hunt the mobsters he once ran with in BULL, the ferocious British revenge thriller from BAFTA-winner Paul Andrew Williams (LONDON TO BRIGHTON). A brutal and subversive work that frequently plays out like a horror film, stunningly executed and grounded by well-scripted characters, with a cast that includes Tamzin Outhwaite (EASTENDERS) and David Hayman (TABOO, SID AND NANCY) in a frightening turn that ranks with the strongest of British mobster portrayals. WORLD PREMIERE. 

TOKYO REVENGERS IS AN ALL-OUT STREET FIGHT TO SAVE THE FUTURE Takemichi may just have a chance to change the future – if he can survive his own past! A jawbreaking, juvenile delinquent street fight royale combined with a high-stakes time travel thriller and dashes of adolescent angst and romantic comedy, TOKYO REVENGERS is the live-action feature adaptation of Ken Wakui’s enormously popular award-winning manga of the same name. Director Tsutomu Hanabusa (KAKEGURUI 1 and 2, also at Fantasia this year) succeeds mightily at adapting this complex science-fiction story; amid a barrage of bloody, brutal hoodlum battles, he still finds room for the sweetness of first love. INTERNATIONAL PREMIERE.


A memory-shredding neurochemical permeates the atmosphere like airborne dementia, but safe within an airtight glasshouse a family preserves their past through rituals of collective memory. Sensual and savage, GLASSHOUSE weaves aspects of dystopian science fiction with notes of folk horror and perverse, brooding, Gothic melodrama to craft a taught existential tale that ultimately explores the importance of storytelling and memory. It’s a stunning feature debut from South African filmmaker Kelsey Egan, starring Adrienne Pearce, Jessica Alexander, Anja Taljaard, and Hilton Pelser. WORLD PREMIERE. 


Freshly arrived from Tokyo to a fading village in the Japanese countryside, Akira becomes fascinated with an isolated girl who is obsessed with a crop circle in her grandfather’s fields. This multi-layered, sci-fi coming-of-age story by first-time director Yoichi Narita is a true gem with a dazzling narrative. The majestic, rich cinematography, which highlights the magnificent rural landscapes, and judicious use of music recall Shunji Iwai’s masterpiece ALL ABOUT LILY CHOU-CHOU. FOLLOW THE LIGHT will leave a lasting impression with its soft visual splendour and sensitive storytelling. WORLD PREMIERE.

BLOOD IS THICKER THAN WATER IN THE CRIME FAMILY SAGA IDA RED Midwest filmmaker John Swab (LET ME MAKE YOU A MARTYR) returns to Fantasia with IDA RED, a propulsive, gripping, crime thriller that escalates his career to the big leagues. Cast-as-criminals Josh Hartnett, Frank Grillo, and Melissa Leo (as a modern Ma Barker) have never been better. NORTH AMERICAN PREMIERE.

THE TRANSGRESSIVE HORROR EXPERIENCE OF THE DECADE: THE SADNESS In an alternate version of Taiwan, a rapidly spreading pandemic suddenly mutates into a rabies-like affliction, and the infected find themselves unable to control their id. A nightmare vision steeped in unspeakably upsetting moments of violence, Rob Jabbaz’s THE SADNESS plays like a return to the no-holds-barred shock sensibilities of ’90s Hong Kong Category III films. Electrified with an existential fear that punches spikes of panic energy straight into your nervous system, and told with incredible style, THE SADNESS is a force to be reckoned with. Fantasia is proud to be bringing this extreme horror rollercoaster to North American shores, hot off its bow at Locarno. NORTH AMERICAN PREMIERE.

ALL HAIL PRODUCTION I.G’S ANIME FANTASY EPIC THE DEER KING! Following its world premiere at Annecy, and ahead of theatrical release in Japan, comes the highly anticipated THE DEER KING, co-directed by anime veterans Masashi Ando and Masayuki Miyaji. Based on the books by bestselling Japanese fantasy author Nahoko Uehashi, the epic saga of the legendary warrior Broken Antler Van comes to life with the peerless standards of quality we expect from the studios of Production I.G (GHOST IN THE SHELL, NEON GENESIS EVANGELION). Elegant and exacting design and animation seamlessly pair with Uehashi’s sturdy world-building and compelling conflicts to create a transporting animated otherworldly tale. NORTH AMERICAN PREMIERE. 

DON’T SAY ITS NAME IS A SNOW-SET, INDIGENOUS HORROR FOR OUR TIMES When an environmental activist is called back to the world of the living after a suspicious accident takes her life, an ancient spirit is reborn outside a small northern town. With a wealth of Indigenous talent both in front of and behind the camera, DON’T SAY ITS NAME, the eerie feature debut from director/co-writer Rueben Martell, builds its chills with compellingly real characters and strong performances from Madison Walsh (SOMETHING UNDONE), Sera-Lys McArthur (OUTLANDER), Samuel Marty (GODLESS), Carla Fox, and Julian Black-Antelope (HOLD THE DARK). WORLD PREMIERE. 

HAVING FUN IS ALL THAT MATTERS IN GRAND BLUE DREAMING Stuck in a surreal, nudist loop somewhere between GROUNDHOG DAY and MEMENTO, two young men end up trapped in a scuba diving club full of muscular party animals and pretty girls with a temper. Based on a popular manga series, GRAND BLUE DREAMING, by Tsutomu Hanabusa (TOKYO REVENGERS), is as weird as it is hilarious. Astonishingly fast-paced and loaded with politically incorrect humour, this wild comedy also finds moments of calmness with beautiful and relaxing underwater shots. NORTH AMERICAN PREMIERE.

CROSS INTO THE DEEP HOUSE FOR IMMERSIVE UNDERWATER HAUNTS Two daredevil Youtubers with a passion for abandoned urban edifices film themselves as they take a deep dive into the bottom of a lake where there lies a mysterious house with a sinister past. Award-winning French genre maestros Alexandre Bustillo and Julien Maury (INSIDE, KANDISHA) display numerous filmic skills with this intelligent found footage style feature. The immersive darkness, the floating strangeness, THE DEEP HOUSE takes us down and further down, from mere unfamiliar discomfort to absolute and unfathomable terror. NORTH AMERICAN PREMIERE. 


A wave of murders hits the city and, lurking in the shadows, a killer has just identified his new prey – a deaf woman. South Korea has become the go-to source for fans of dark, intense, unpredictable thrillers that deliver cutthroat tension, and Kwon Oh-seung’s debut feature MIDNIGHT follows in this tradition. A breathless tale boasting hallucinatory sound design that relishes in testing the nerves of even the most seasoned viewers. CANADIAN PREMIERE.


A brother and sister face off against a mysterious force responsible for years of devastating misfortunes in WHEN I CONSUME YOU, a haunting new work from award-winning indie filmmaker Perry Blackshear. Reuniting with Evan Dumouchel, MacLeod Andrews, and Margaret Ying Drake, the core acting trio of his previous films THEY LOOK LIKE PEOPLE and THE SIREN, Blackshear and his team dole out powerful blows of tragedy, devastation, and personal struggle while a demonic figure looms just out of focus, yellow eyes burning in the background. WORLD PREMIERE. 

A SEPTET OF LEGENDARY FILMMAKERS PAYS TRIBUTE TO HONG KONG A sifu hardens his students with “Exercise” in Sammo Hung’s evocation of childhood. Ann Hui stages a stirring tribute to Hong Kong educators in “Headmaster.” Patrick Tam Kar-Ming depicts the emigration of Hong Kongers by way of an impressionistic love story, “Tender is the Night.” Master action choreographer and director Yuen Woo-ping addresses generational divides in the 90s with “Homecoming.” Johnnie To details the city’s capitalistic hustle in “Bonanza.” The expanding harbour opens the floodgates of memory in Ringo Lam’s posthumous film “Astray,” and the decade to come is evoked by Tsui Hark’s futuristic, tongue-in-cheek closer “Conversation in Depth.” An exceptional omnibus comes to us at a crucial time in Hong Kong history, SEPTET: THE STORY OF HONG KONG reunites seven legendary Hong Kong directors for a heartfelt project composed of personal, resonant stories. QUEBEC PREMIERE.


A mixed Indigenous ex-boxer infiltrates the sex trafficking world in search of her missing sister in this ferocious thriller propelled by a commanding performance from WBA Super Lightweight Champion Kali “K.O. Mequinonoag” Reis. Pulverizing with fury and grief, CATCH THE FAIR ONE is the culmination of a four-year collaboration with director Josef Kubota Wladyka (MANOS SUCIAS), who co-wrote with his star. As much a hard-hitting revenge thriller as it is a personal interpretation of true crimes, the film addresses North America’s horrific crisis of missing and murdered Indigenous women with urgency. Co-produced by Darren Aronofsky and 2021 Oscar-winner Mollye Asher (NOMADLAND) and winner of the Audience Award for Best Narrative Feature at the 2021 Tribeca Film Festival. INTERNATIONAL PREMIERE. 

FROM ARGENTINA, HORROR AND MYSTERY CONVERGE ON THE 3RD DAY The latest from Argentinean director Daniel de la Vega (WHITE COFFIN) and production house Del Toro Films (South America’s answer to Hammer Studios), ON THE 3RD DAY follows an anguished mother (Mariana Anghileri) trying to find her missing son, and the missing memory of what happened on the night of a terrible car accident. INTERNATIONAL PREMIERE.


From director David Bruckner (THE RITUAL, THE SIGNAL) comes THE NIGHT HOUSE. Reeling from the unexpected death of her husband, Beth (Rebecca Hall) is left alone in the lakeside home he built for her. She tries as best she can to keep it together – but then nightmares come. Disturbing visions of a presence in the house calling to her, beckoning her with a ghostly allure. Against the advice of her friends, she begins digging into her husband’s belongings, yearning for answers. What she finds are secrets both strange and disturbing – a mystery she’s determined to unravel. THE NIGHT HOUSE stars Rebecca Hall (GODZILLA VS. KONG), Sarah Goldberg (Barry, Elementary), Vondie Curtis Hall (DIE HARD 2, EVE’S BAYOU), Evan Jonigkeit (Togetherish, Sweetbitter), and Stacy Martin (VOX LUX, NYMPHOMANIAC). CANADIAN PREMIERE.


Near-future Manila is now a “perfect” world; the powerful forces keep it so, thoroughly hidden from view yet pressing down subconsciously and oppressively on the citizens. With rumoured blackouts happening around the city past midnight, the only refuge becomes government-sanctioned “safe houses” scattered around Manila. While many believe them to be a hoax, the truth of what they cover up may be something far worse. Taking its title from a DJ Shadow cut, and unfolding with an air of Philip K. Dickian strangeness, Dodo Dayao’s (VIOLATOR) long-awaited sophomore effort MIDNIGHT IN A PERFECT WORLD is, like his previous film, a uniquely savvy and nightmarish trip befitting the world’s ongoing dystopian situation, and one that cements Dayao’s unique voice in independent Filipino cinema. NORTH AMERICAN PREMIERE. 

The Camera Lucida section adds this final title to its competition, along with the following selection of short and medium-length films: AQUATIC BIRD (China – Dir. Zhang Nan); BORN PISCES (Japan – Dir. Yoko Yamanaka); DEATH VALLEY (United States – Dir. Grace Sloan); DOUBLE HELIX (China – Dir. Qiu Sheng); NOSES ON THE RUN (South Korea – Dir. Kim Boram) and TAIPEI SUICIDE STORY (Taiwan – Dir. KEFF).


Fantasia Underground sheds light on the furthest corners of cinephilia, showcasing films created by eccentric and transgressive artists working outside of the mainstream 

Step aside John Hughes and relinquish your crown because coming-of-age, teen romance will never quite be the same after BABY, DON’T CRY! Directed by Jesse Dvorak and written, designed, and starring Zita Bai, this astoundingly unique and harrowingly sincere film follows Baby, a Chinese immigrant in suburban Seattle, as she makes sense of her troubled home life and outsider existence through her indie DIY films and animalistic visions of the world. When she meets Fox (Vas Provatakis), a Skid Row punk with questionable decision-making skills, a whirlwind of intensity, ferocity, and sexuality engulfs the pair. Teetering between Baby’s fantastical visions and Fox’s raw punk rock ethos the two dive into this powder keg romance headfirst with no-holds-barred. WORLD PREMIERE.

Are you ready for an orgy of blood? FRANK & ZED, one of the year’s goriest films, promises just that. In this bloodthirsty, bone-crunching, and strangely heartwarming movie, an odd-couple monster-duo Frank and Zed, a Frankenstein-type monster and his brain-eating companion, attempt to survive a medieval curse that has befallen a small village. And did we mention they’re all puppets? A true DIY passion project, conceived and made over 6 years, director Jesse Blanchard seizes an opportunity born from limitation to create an irresistible crowd-pleaser that embodies the resilience of thriving underground cinema. QUEBEC PREMIERE. 

Welcome to GIVING BIRTH TO A BUTTERFLY, the strange, melodic, and haunting feature debut of Theodore Schaefer. After having her identity stolen, Diana (Annie Parisse) goes on a surreal road trip with her son’s pregnant girlfriend, Marlene (Gus Birney), to find the perpetrators. Shot on pastel-toned 16mm, the film’s dreamy quality lulls you into its unusual atmosphere. As the lines between waking and dreaming life fade, the movie blends its ironic sense of humour with a unique blend of American surrealism that explores kitsch and performance to unearth a deep sense of alienation and loneliness. WORLD PREMIERE. 

In 1989, Stephen Sayadian, aka Rinse Dream, released one of the most iconic and fantastical works in American exploitation cinema. For the first time since its release, thanks to a new restoration, it will finally find its audience and retroactively be appreciated as the Underground masterpiece that it is. Bizarre, stunning, goofy, and unsettling, DR. CALIGARI embraces the avant-garde in its exquisite and hilarious exploitation of America’s repressed libido. As the film’s title might suggest, the feature is a loose remake of the German expressionist classic, centered on Mrs. Van Houten, a woman who seems to be losing touch with reality, and her treatment under Dr. Caligari, who diagnoses her with a “disease of the libido.” 


In honour of the restoration of his seminal underground classic DR. CALIGARI, Stephen Sayadian will sit down and discuss his career; past, present, and future. The multi-talented artist got his start as the creative director for Larry Flynt Publications, designed some of the most iconic film posters of the 1980s (including DRESSED TO KILL, THE FUNHOUSE and THE FOG), and directed some of the most eye-popping and transgressive films of the era. Working under the pseudonym Rinse Dream, Sayadian’s films, including CAFÉ FLESH and NIGHTDREAMS II & III) blurred the line between smut and art. Working in both hard and softcore porn, his surreal films were consistently marked by a dark sense of humour, incredible production design, and hallucinatory imagery. For the first time at Fantasia, Sayadian will regale our audiences with the stories and legends from his incredible career and tease what might come next. 

A virtual gallery of some of Sayadian’s best work will also be presented during the festival for amateur and veteran fans of his art. Presented in collaboration with BBAM! Gallery. 


Navigating through the lives of outsiders and exploring their fascinating minds, the Documentaries From The Edge section — curated by newly appointed section director Celia Pouzet and programmer Alyssia Duval-Nguon — disrupts the codes and breaks the frontiers of the (un)real 

Alice’s webcam’s red light flashes. A hacker, a ghost, a god? She decides to expose the identity of the invader. DEAR HACKER, Alice Lenay’s debut documentary, is a patchwork of video calls that come together as a metaphysical reflection. Alice gleefully jumps down the rabbit hole and navigates the infinite universe of the web – our minds’ web – and our interconnectedness at a time when we’ve never been so distant. With her witty observations and sagacious imagination, Lenay writes a visual letter in the form of this film telling a story of perception, reality, and society. The loading circle spirals out, but Alice keeps going. NORTH AMERICAN PREMIERE. 

A high-spirited group of British bus drivers set their minds to launching a homemade stage play adaptation of Ridley Scott’s ALIEN in Lucy Harvey and Danielle Kummer’s debut documentary ALIEN ON STAGE. With a Christopher Guest-esque charisma that particularly recalls his community theatre classic WAITING FOR GUFFMAN, the film follows the ups and downs of the delightfully DIY production, with its second-hand costumes and cardboard sets, and the charming crew determined to make it succeed. QUEBEC PREMIERE

A fiercely moving tribute to one of the most recognizable and unconventional figures in punk history, POLY STYRENE: I AM A CLICHÉ celebrates the life and legacy of Poly Styrene, famous frontwoman of X-Ray Spex and poster child for the UK’s Riot Grrrl and Afropunk movements. Featuring previously unseen archival footage and a succession of eloquent diary entries narrated by Oscar-nominated actress Ruth Negga and co-directed by the icon’s own daughter, Celeste Bell, and seasoned documentarian Paul Sng. QUEBEC PREMIERE. 

Following the successful release of his breakthrough documentary REINDEERSPOTTING: ESCAPE FROM SANTALAND (2010), Finnish filmmaker Joonas Neuvonen, along with his friend Antti and the film’s star, Jani, traveled to Southeast Asia or a celebratory trip… Which ended tragically when Jani was found dead and Antti went missing. Co-directed by their longtime collaborator Sadri Centinkaya, LOST BOYS chronicles Neuvonen’s return to Bangkok and Phnom Penh, into an even deeper hellscape of drugs, prostitution, and wandering souls, as he seeks out the truth behind his friends’ demise while picking up the pieces of his own imperfect life. QUEBEC PREMIERE. 


For its 25th anniversary, Fantasia is proud to honour writer, director and video artist Shunji Iwai with a Career Achievement Award and play host to a special masterclass led by the esteemed filmmaker. His latest film, THE 12 DAY TALE OF THE MONSTER THAT DIED IN 8, previously announced as part of the Camera Lucida slate designed as a relief film for the Japanese film industry during the COVID-19 pandemic – perfectly captures the all-too-online moment in which we find ourselves. This is only the latest example of Iwai’s preternatural talent for capturing and sublimating the unspoken feelings that accompany pivotal moments in life, such as the end of elementary school, the beginning of university, the uncertainty of married life, or turn-of-the-millennium teen angst. He expertly communicates what it means to live in increasingly interconnected times, integrating the language of message boards, dating apps, and handwritten love letters into his work. A chronicler of changing hearts and changing times, Iwai’s filmography stands as one of the most unique and influential in all of Japanese cinema 

Also screening as part of this tribute: FIREWORKS, SHOULD WE SEE IT FROM THE SIDE OR THE BOTTOM? (1995), APRIL STORY (1997), ALL ABOUT LILY CHOU-CHOU (2001). 


From the original STAR WARS trilogy to the millennial TWILIGHT SAGA, on top of ROBOCOP, JURASSIC PARK and STARSHIP TROOPERS, Phil Tippett’s inventive, innovative, iconic stop-motion creations have become universally familiar elements of our collective imagination. Fantasia is proud to honour the director and visual effects master with a Lifetime Achievement Award in 2021 for his original vision and his contributions to the advancement of the craft.

This proud moment coincides with the long-awaited completion of Tippett’s personal masterwork— thirty years in the making, MAD GOD sees its North American Premiere at Fantasia this summer. Equal parts harrowing and hilarious, it’s a perpetual motion machine of biomechanical malevolence, a Dantean descent into the depths of Tippett’s imagination that cements him as an artist of the highest order. 

Accompanying MAD GOD is the world premiere of the documentary short WORSE THAN THE DEMON, an intimate and insightful profile by the subject’s daughter, Maya Tippett. Fantasia will present Tippett with his Lifetime Achievement Award by way of a virtual ceremony, followed by a masterclass exploring the deeper roots of his art. 

The festival passport is already on sale online and individual tickets, for both virtual and theatrical screenings, will go on sale Friday, July 23rd at 1PM EDT. 

Visit our site for full details on our extensive short and feature film programming, as well as events, schedules, and to find out more about ticket sales. 

The 25th edition of the Fantasia International Film Festival will be presented by Videotron in collaboration with Desjardins, and will be made possible thanks to the financial assistance of the Government of Quebec, SODEC, Telefilm Canada, the City of Montreal, the Conseil des arts of Montreal and Tourisme Montréal. 

For more information, visit us on the web at http://www.fantasiafestival.com 

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