Wonho Wows London Fans: Highlights from His “STAY AWAKE” Tour

And it happened again! Wonho returned to London, performing at Shepherd’s Bush Empire as part of his STAY AWAKE world tour, to his most loyal fans. Armed with four dancers and a simple VCR screen as his backdrop, he once again favoured minimal staging over the elaborate productions embraced by many K-pop soloists. While some…

JUNNY’s Timeless Return: Exploring “null” – Exclusive Interview

Korean-Canadian singer-songwriter JUNNY returns with his second studio album, null, arriving three years after his 2022 release Blanc. We’ve had the pleasure of speaking with JUNNY twice before, and each conversation has been a delight; now, for the third time, he sits down with View of the Arts to share insights on his latest work….

82nd Venice Film Festival: “The Sun Rises on All of Us” Review (2)

The Sun Rises on Us All, (Chinese title: Ri Gua Zhong Tian), offers a more nuanced interpretation of the story. The title comes from an ancient Cantonese opera and calls to mind themes of forgiveness and reconciliation after hardship. This ties closely to the plot, in which Meiyun (Xin Zhi-lei) and Baoshu (Zhang Song-wen), once…

82nd Venice Film Festival: “Praying Mantis” Review

Praying Mantis is an 18-minute hand-drawn animation short film co-directed by Hong Kong director Yonfan and Taiwanese filmmaker Joe Hsieh, breaking his six-year silence. The film merges Yonfan’s expertise in portraying complex female characters with Hsieh’s recurring motifs of lust and death, telling the story of a mother who sacrifices herself entirely for her child…

82nd Venice Film Festival: “Girl” Review

Girl was the directorial debut of SHU Qi. It was undoubtedly one of the most anticipated films at the 82nd Venice Film Festival. Girl marked SHU Qi’s first step into directing. It captured immense attention at the event. SHU Qi is a regular presence at Cannes, Berlinale, and the Venice Film Festival. Her first arrival…

82nd Venice Film Festival: “The Sun Rises on All of Us” Review

One of the benefits of seeing films at their very earliest screenings, before they’ve even been unveiled to the world at a splashy festival premiere, is being able to experience them truly blind. In the case of The Sun Rises On Us All, the latest film from Chinese auteur Cai Shangjun, which just premiered in…