Tokyo-born singer-songwriter Reira Ushio has quickly become one of Japan’s most interesting new voices. She is known for not only crystal-clear vocals but also for articulated lyrics. As a teenager, she first stepped into music simply to confront her fear of performing, joining her school band almost by accident, but that small step gradually revealed…
28th Far East Film Festival: The New Poster is Here!
For a few days each spring, Udine turns into the hub of Asian cinema. The premieres, the talks, the packed schedules, the chance encounters between artists and audiences. These are the visible mechanics of any festival. But what truly gives it meaning is something less tangible: the people. A festival audience is a living, breathing…
The 40th Edition of the BFI Flare Will Run from 18-29 March 2026 at BFI Southbank
Now in its 40th year, the BFI Flare: London LGBTQIA+ Film Festival returns to BFI Southbank with one of its most expansive and internationally minded editions to date. Long considered a key fixture of the global queer film calendar, the festival continues to balance discovery with legacy, pairing brave new voices with restorations, talks and…
“Success, for Me, Is Freedom”: Jang Theo on Acting, Modelling and Choosing His Own Path – Exclusive Interview
“I don’t define success as money or fame. Success, for me, is freedom – the freedom to express my world exactly the way I see it.” This is what Jang Theo says when asked about the success and it clarifies the logic behind every decision that has guided his career so far. What impressed me…
76th Berlin International Film Festival: “A Russian Winter” Review
Directed by Patric Chiha, A Russian Winter offers a necessary portrait of the post-2022 lives of Russians who chose exile. In the wake of Russia’s invasion of Ukraine, Russian identity has often been flattened into a single political narrative, leaving little space for those who reject the regime, or for the difficult, uncertain process of…
76th Berlin International Film Festival: “Papaya” Review
A compact and light-hearted Brazilian animation, Papaya, screening at this year’s Berlin International Film Festival, feels exceptionally sincere and heartening as director Priscilla Kelle’s feature debut. Without dialogue, the constant adventure of the papaya seed reflects a teeming Amazonian forest landscape blazing with colours through its vitality and the complex interactions of plants coexisting within…
76th Berlin International Film Festival: “Iván & Hadoum” Review
Hadoum, a Moroccan woman, and Iván, a Spanish trans man, are colleagues in a greenhouse in southern Spain, where they fall in love. However, this love is tough. It has to face problems such as class and race, and, most practically, it interferes with Iván’s promotion. Behind it all lies the expectation of his entire…
76th Berlin International Film Festival: “The River Train” Review
In many regions of Argentina, the malambo exists not only as a dance but also as a cultural inheritance etched into the body – a percussive ritual passed from father to son, from dust to bone. Each step lands with such force that it feels like the earth itself is trembling. The more you watch…
76th Berlin International Film Festival: “I Understand Your Displeasure” Review
In I Understand Your Displeasure, Kilian Armando Friedrich creates a powerful and moving portrait of domestic and migrant workers, focusing not only on their daily labour but also on the psychological pressures they face while trying to keep both life and work in balance. Friedrich’s camera remains intimately close to Heike (Sabine Thalaou), the cleaning…
76th Berlin International Film Festival: In Coversation with Kilian Armondo Friedrich, Director of “I Understand Your Displeasure”
Premiering in the Panorama section of the Berlin International Film Festival, I Understand Your Displeasure, directed by Kilian Armando Friedrich, is a wonderful work. Known for his background in documentary cinema, including Nomades du Nucléaire, which debuted in Berlin and later won the German Short Film Award, Friedrich brings the same observational intimacy and ethical…
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