The presence of female Tibetan creatives and voices in cinema is beginning to outpace that of their male counterparts. Most notably, in the film festival space, with curators seeking to present a perspective on Tibetan filmmaking that has, until the past few years, been left silent. Since the founding of the Tibet Film Festival in…
Sunny Lukas: Exploring Multilingual Music with “Laissez-Moi Faire” – Exclusive Interview
Sunny Lukas has never been an artist content with staying in one lane. Born in Hong Kong and educated at Berklee College of Music, he has always had a globally minded career. Whether moving between English, Spanish, or now French, his work shows a genuine fascination with language and culture. His latest single, Laissez-Moi Faire,…
JIB DREAM FANMEET 6.5 – Daou and Offroad on Working Together, The Power of Thai BL and Acting – Exclusive Interview
Beneath its suspense and romance, The Wicked Game is a story about choosing to see the good in another person when the world gives every reason not to. Daou’s understanding of Than rests on a simple but powerful belief: that Pheem is fundamentally a good person, even when his actions suggest otherwise. Rather than judging…
“Comrades: Almost a Love Story” (1996) Review
To celebrate its 25th anniversary, the Hong Kong Film Archive has launched Close Encounters with Master Filmmakers: Movie Talks, a three-part series in which leading local directors share their own films alongside works that inspired them. The first edition features acclaimed director Peter Chan, best known for He’s a Woman, She’s a Man (1994), Perhaps…
“A Chinese Ghost Story” (1987): Looking Into the Dark, Choosing the Light
“Life’s journey, where beautiful dreams stretch as long. Along the path, wind and frost lash against the withering face. In this mortal world, in how many directions do dreams drift? Searching for the love amidst infatuated fantasies. The road ahead blurs as the one fades away with it.” The opening verse of the eponymous theme…
“The Kid” (1999): Lost Treasure Found and Restored
Coinciding with the Hong Kong Pop Culture Festival 2026, the 25th anniversary of the Hong Kong Film Archive, and what would have been Leslie Cheung’s 70th birthday, The Kid took centre stage at the Grand Theatre of the Hong Kong Cultural Centre. Director Jacob Cheung Chi-leung and the main cast – Ti Lung, Lam Ka-tung,…
aespa’s “LEMONADE” Review: Sweet And Sour
You might not immediately clock why aespa are making so much lemonade, until you remember that old corny English saying. Yes, the K-pop four-piece’s latest title track and similarly-named second album is the girls’ answer to all the lemons life is apparently throwing at them. But that’s the point of these catchy runway tunes these…
JIB DREAM FANMEET 6.5 – Behind the Scenes with EmiBonnie: A Journey in GL Dramas – Exclusive Interview
In the last few years, Thailand’s GL dramas have grown from a niche corner of television into one of the most fascinating developments in Asian pop culture. Shows like Gap, 23.5, Blank, The Secret of Us and Us have all helped expand the genre in different ways, proving that GL dramas can tell honest stories…
“We’re Nothing at All” Review: A Fierce, Tender Cry for Society’s Most Vulnerable
On Valentine’s Day, a bus explodes in the middle of Hong Kong. The bomb is planted by a gay couple who kill themselves along with most of the passengers, leaving behind charred bodies and severed limbs. This shocking scene opens We’re Nothing at All, a brutal yet compassionate film that gives voice to some of…
Raindance Film Festival Returns to London with Bold Line-Up of Indie Voices and Global Stories
The Raindance Film Festival returns to London from 17–26 June for its 34th edition, presenting one of its most wide-ranging programmes to date. This year’s programme includes 85 narrative and documentary features alongside 112 short films, with more than half of the feature selection coming from first-time directors. The festival also expands its immersive strand,…
VIEW OF THE ARTS 