The competitive Generation 14plus section of this year’s Berlinale featured international gems with a focus on young adult themes, and the Grand Prix Award for Best Film was awarded to Kim Bora‘s House of Hummingbird, which finally got its European premiere after wowing the audience with its world premiere at the 2018 Busan International Film […]

Steven Yeun greets me with a big smile and a warm handshake as we meet at the Mayfair hotel in London on a cold October morning. We sit down and chat about what it means to be a Korean-American, his latest production Burning, and working with Lee Chang-dong. Born in Seoul, South Korea and raised […]

The attempts to translate Haruki Murakami‘s prose into the cinematic language have so far mostly ended in spectacular disasters, or – in the best case – garnered mixed reviews, probably due to the specific style of the writer. But the fates have changed when Lee Chang-dong, the director of Poetry and Peppermint Candy, returned after 6 years of […]

The Poet and the Boy is a feature debut by Korean filmmaker Kim Yang-hee, starring Yang Ik-june, an actor and a filmmaker himself, who gained the public attention and won several awards with his semi-autobiographical feature debut, which he wrote, directed and played the leading role in – the 2009 indie hit Breathless. With her […]

The Poet and the Boy (Si-e-nui a-rang) is the feature debut for Kim Yang-hee; it premiered at Jeonju International film festival in 2017, and made its way to London Korean Film Festival this fall. The film stars South Korean actor and filmmaker Yang Ik-june, who is best known for his debut film, which he both […]

Despite the complexity of portraying homelessness on screen, filmmakers keep rising to the challenge. The South Korean filmmaker Jeon Go-woon skillfully depicted the subject in her debut feature Microhabitat, in which she also questions different aspects of adult life. The film revolves around the character of Mi-so (Esom: Warriors of the Dawn, The Third Charm TV […]

A long wait for a premiere of a film never bodes well, even though it might be because the producers want to avoid the film clashing with the releases of other big productions, or because the progress has been slowed down by a prolonged post-production. The latter especially implies that the producer isn’t sure about […]