Miwa Nishikawa has spent more than two decades making films about people trying to find their place in a society that does not always know what to do with them. Born in Hiroshima and a graduate of Waseda University, she began her career working with Hirokazu Kore-eda before making her own directorial debut with Wild…
Category: Asian Cinema
Toronto International Film Festival (TIFF26): “Children Untold” Review
We are taught when wars began and when they ended, who surrendered and who won, but rarely what happened to ordinary people the day after peace was declared. What happened to the children who had no parents to return to, no home, no money and, in many cases, nobody interested in whether they survived? Set…
Toronto International Film Festival (TIFF26): In Conversation with Kim Eo-jin of “The World Before”
For a young actor still at the beginning of his career, Kim Eo-jin already seems to understand what great acting is all about. After appearing in the 2021 web drama The Sweet Blood and later taking a leading role in Fragile in 2024, the model makes his feature-film debut in Yoon Dan-bi’s The World Before….
Toronto International Film Festival (TIFF26): In Conversation with Sim Su-bin of “The World Before”
Sim Su-bin is still at the beginning of her acting career. So far, she has appeared in supporting roles in Korean dramas, alongside her film work, but Yoon Dan-bi’s The World Before gives her the space to show much more of what she can do. As seventeen-year-old Jin, a girl who has never left the…
Toronto International Film Festival (TIFF26): In Conversation with Yoon Dan-bi, Director of “The World Before”
There is nothing overstated about Yoon Dan-bi’s films; her stories take shape through families sharing a home, young people spending time together, conversations that seem ordinary and feelings that are not always easy to explain. Her feature debut, Moving On (2019), follows teenage Okju and her younger brother as they move with their father into…
83rd Venice Film Festival: “Lovers in the Blue Night” Review
Indian women filmmakers have been behind some truly remarkable independent films in recent years. The talent has always been there; the opportunities have not always followed quite so easily, especially when it comes to making that difficult second film. That is one of the reasons it is so exciting to see Anuparna Roy back at…
Asian Cinema at the 70th BFI London Film Festival
The BFI London Film Festival has unveiled the programme for its 70th edition, and Asian cinema will once again form an essential part of the celebration. From long-awaited works by some of the continent’s most respected filmmakers to daring debuts, intimate documentaries and large-scale genre spectacles, this year’s selection reflects the extraordinary breadth of filmmaking…
JIB DREAM FANMEET 7: Joong and Dunk – Roman Adventures, New Challenges and a Little “Dare You to Death” – Exclusive Interview
Rome had plenty of reasons to be loud that weekend, and JIB DREAM FANMEET 7 added a few more. Two days, some very excited fans and a line-up of much-loved Thai stars – the event certainly gave the city something to shout about, and yes, there was a lot of shouting. Joong Archen and Dunk…
JIB DREAM FANMEET 7 – No Easy Roles: Sky and Nani on “WU”, Trust, Growing Together and Fanmeet in Rome – Exclusive Interview
Something quite extraordinary is happening with Thai BL right now; its stars are no longer loved only at home, or even within Asia. They arrive in cities such as Rome and are greeted by fans who know the characters they have played, the stories they have told and the journeys they have followed despite living…
JIB DREAM FANMEET 7: Acting, Laughter and Everything in Between with Pond and Phuwin – Exclusive Interview
When Pond Naravit and Phuwin Tangsakyuen first began working together, both were at very different points in their careers, still finding their feet as leading actors and probably with little idea of just how much their lives would change over the next few years. Since then, they have grown up in front of an audience,…
The A Festival Is Bringing Asia to Paris – And It’s Much Bigger Than You Think
Paris is hardly short of festivals, but on 24 and 25 October 2026, something rather different is taking shape at the Paris Event Center. The A Festival is setting out to bring several corners of Asian entertainment into the same space: K-pop and T-pop, P-pop, Japanese rock and pop, Chinese artists, Thai hip-hop, music from…
“Kung Fu Soccer” (2026) Review: Stephen Chow’s Ambitious Return Doesn’t Quite Score
Surprisingly announced just one month before its release, Kung Fu Soccer (2026) grossed over 260 million RMB (38 million USD) on its opening day, surging past 2.1 billion RMB (310 million USD) within three weeks. The film quickly secured its place as China’s second-highest-grossing release of the year. The craze was driven by none other…
Trapped Inside the Hive Mind: “Colony” Review
Yeon Sang-ho, the director of Train to Busan (2016) and Peninsula (2020), once again ventures into the zombie film genre he is well-versed in. In Colony, the zombie outbreak takes place in an enclosed high-rise in Seoul. The visceral horror of the film is enhanced by its choreography, sound design, as well as its claustrophobic…
“Perhaps Love” (2005) & Peter Chan’s Path on Climbing Mountains, Walking on Thin Ice
In the last section of Close Encounters with Master Filmmakers – Movie Talks: Peter Ho-sun Chan hosted at the Hong Kong Film Archive, it is revealed that Chan had just wrapped up the latest film he worked on and caught a morning plane from Chengdu to Hong Kong to attend the talk on the same…
