Yamagata International Documentary Film Festival (YIDFF) 2025, the largest biennial festival focusing on documentary in Asia, gathers outstanding works from 2023 to 2025 to navigate the observance from intimate family matters to the turbulence of our living world. This year, the witness of diverse ‘home(land)’ in chaos enshrines the perseverance within people, from Palestine to…
Category: Japanese Cinema
Yamagata International Documentary Film Festival 2025: “SPI” Review
SPI (烤火房で見るいくつかの夢) directed by Sayun Simung, reveals a touching Tayal family story centring around ‘gaga’, certain routines and rituals that sustain solidarity and peace among Tayal people. After the death of Grandpa Wilang, Grandma Yabay can hardly break away from the sadness, followed by the pregnancy of the underage granddaughter, the camera unfolds how Sayun’s…
69th BFI London Film Festival: “Island of the Winds” Review
Hsu Ya-Ting’s Island of the Winds is a heart-rending documentary that immerses the viewer in the often-overlooked lives of the elderly residents of Lesheng Sanatorium, a former leper colony on the outskirts of Taipei. From the very first moments, the film builds an intimate closeness to its subjects, allowing their memories and struggles to surface…
69th BFI London Film Festival: “ChaO” Review
From the endlessly imaginative Japanese studio STUDIO 4°C comes ChaO, a stunning animated feature that marries slapstick comedy with sweet romance, all told through a burst of colour and hand-drawn beauty that feels almost radical in today’s digital-first era. Director Yasuhiro Aoki, making his feature debut, draws on decades of experience in character animation to…
Tetsuya Mariko on His Newest Project, “Dear Stranger” – Exclusive Interview
Born in Tokyo in 1981, filmmaker Tetsuya Mariko began his creative journey making short films while studying at Hosei University. Early works such as The Far East Apartment (2003) and Mariko’s 30 Pirates (2004) earned him early awards, with the latter winning the Grand Prix at the Yubari International Fantastic Film Festival. His debut feature,…
30th Busan International Film Festival: “Dear Stranger” Review
Tetsuya Mariko’s Dear Stranger begins not with the disappearance of a child, but with the erosion of a marriage. Kenji (Hidetoshi Nishijima: Drive My Car, Serpent’s Path), a Japanese architecture professor in New York, and Jane (Gwei Lun-Mei: The Wild Goose Lake), a Taiwanese-American puppeteer who has put her art aside to raise their young…
Two Cities, One Heart: The Journey of “(LOVE SONG)”
In a rare and radiant cross-cultural collaboration, (LOVE SONG) brings together the creative forces of Japan and Thailand to tell a story of love. Directed by Champ Weerachit Thongjila, best known for the global BL romantic comedy series 2gether, the film is the acclaimed Thai filmmaker’s first project in Japanese feature cinema. At the centre…
78th Cannes Film Festival: “Dandelion’s Odyssey” Review
Dandelion’s Odyssey, directed by Momoko Seto, is an imaginative and visually striking film that goes beyond language and species to tell its story. Combining elements of nature documentary, animation, and abstract art, it remains grounded in emotion and wonder. The film follows four dandelion seeds as they travel through strange, hostile yet beautiful landscapes, reflecting…
27th Far East Film Festival: “Angry Squad” Review
When tax collector Kumazawa Jino (Seiyo Uchino) is scammed out of his hard-earned bonus by a professional swindler he is, quite rightly, angry. He decides to go after the man, but when he does find Himuro (Masaki Okada) the scam artist does the unexpected, he offers him a deal: immunity in exchange for help taking…
27th Far East Film Festival: “Cells at Work!” Review
If you’ve ever wondered what happens in the human body then Cells at Work! has the answers, well, kind of. Based on the manga of the same name by Akame Shimizu, Takeuchi Hideki has created a colourful, comical movie that is as hilarious as it is heartfelt. The story is set within the bodies of…
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