Explore East Asian Cinema at LEAFF 2025: Full Film Lineup

The London East Asia Film Festival (LEAFF) returns this autumn to celebrate its 10th anniversary. From 23 October to 2 November 2025, the festival will once again transform the capital into a hub of cinematic celebration, bringing over 40 films from across the region to some of London’s most iconic venues. Over the past decade,…

Jia Zhangke and the Pingyao International Film Festival

Jia Zhangke is a name inseparable from contemporary cinema, especially this year. Over the past few months, he has appeared at major festivals worldwide, championing cross-cultural exchange: first the Taipei Film Festival in June, then Venice in August, Busan in mid-September, and finally his own Pingyao International Film Festival (PYIFF) at the end of the…

30th Busan International Film Festival: “Shape of Momo” Review

Shown at this year’s Busan International Film Festival, Tribeny Rai’s debut feature, Shape of Momo, is a wonderful piece of writing. A powerful film that listens closely to the hidden struggles of women living within the limits of tradition. The narrative centres on Bishnu, a 32-year-old who abandons her city job and returns to her…

30th Busan International Film Festival: “Dear Stranger” Review

Tetsuya Mariko’s Dear Stranger begins not with the disappearance of a child, but with the erosion of a marriage. Kenji (Hidetoshi Nishijima: Drive My Car, Serpent’s Path), a Japanese architecture professor in New York, and Jane (Gwei Lun-Mei: The Wild Goose Lake), a Taiwanese-American puppeteer who has put her art aside to raise their young…

30th Busan International Film Festival: “Hana Korea” Review

For many North Korean defectors, crossing the border is not the end of a story but the start of another kind of struggle. Frederik Sølberg’s Hana Korea, co-written with Sharon Choi, goes straight into that fraught second chapter. The film is a great story of adaptation and loss: how the comforts of a new country…