75th Berlin International Film Festival: “Hysteria” Review

A study in humanity might be one good way of summarising Mehmet Akif Büyükatalay’s 2025 film Hysteria. Where is the line between a righteous act and a performative spectacle? Büyükatalay attempts to answer the question when a dishonourable burning of a Quran for a shoot sparks conflict between parties, and Hysteria becomes a meta film…

“Cottontail” Review: A Masterful Directorial Debut

The recently bereaved Kenzaburo (Lily Franky), travels to the UK in order to scatter his late wife’s ashes in Lake Windermere accompanied by his son, Toshi (Ryo Nishikido), his wife, Satsuki (Rin Takanashi) and their daughter. Once in London, the fractious relationship between father and son intensifies leading to Kenzaburo deciding to fulfill his wife’s…

Takeuchi Hideki Returns to the Far East Film Festival

Historically, cinema has predominantly engaged with the human body through the lens of science fiction, often depicting miniature characters – reduced to the size of ants – who embark on fantastical journeys within our physical form, confronting its mysteries and the limited special effects technology of bygone eras. Iconic films like Richard Fleischer’s Fantastic Voyage,…

18th Asian Film Awards Have Announced the Nominees for its 16 Award Categories

The Asian Film Awards have once again shown the genius of Asian cinema, with Exhuma taking the lead in this year’s nominations. Earning an impressive 11 nominations across major categories, including Best Film, Best Director, Best Actor, Best Actress, Best Newcomer, Best Screenplay, and more, Exhuma has quickly become a prime example of the power…

“By the Stream” Review

There is no easy entry point to the work of Hong Sang-soo. Even though his style remains consistent, his Eric Rohmer-inspired narratives frequently built around off-the-cuff drunken conversations and meandering walks around Seoul, there’s a density to the storytelling not always immediately apparent. His earlier work could often be in conversation with itself, with metatextual…

“NIGIQTUQ ᓂᒋᖅᑐᖅ (The South Wind)” Review 

Lindsay McIntyre’s NIGIQTUQ ᓂᒋᖅᑐᖅ (The South Wind) is a heartfelt exploration of identity, cultural displacement, and survival. Based on the director’s grandmother’s story, this moving short film brings viewers to 1938, where young Marguerite and her mother Kumaa’naaq (koo-MAT-na) leave their Inuit homeland in Nunavut to build a new life in the South. This transition…

BIFA Raindance Maverick Award 2024 Longlist Announced

Britain’s largest independent film festival, Raindance, stands as a lighthouse for maverick filmmakers who bring creativity, resourcefulness, and boldness on a limited budget. Celebrating these intrepid talents, Raindance introduced the Raindance Maverick Award in 1998 at the British Independent Film Awards (BIFAs), an award that continues to honor visionary filmmakers working under a budget of…

19th London Korean Film Festival: “The Guest” Review

The slasher genre has long been a cornerstone of horror cinema, terrifying audiences with its iconic villains, suspenseful storytelling, and gruesome kills. From the masked killers of Halloween to the supernatural terrors of A Nightmare on Elm Street, slashers continue to draw viewers into their blood-soaked worlds. At the heart of the slasher genre lies…