Directed by the emerging talent Natalie Sin, The 4PLY Clandestine System has earned its place as one of Singapore’s five standout short films at the 36th Singapore International Film Festival (SGIFF), competing in the Southeast Asian Short Film Competition. The film’s strength lies not only in its craft but in its local soul; it re-examines…
Category: Foreign Films
62nd Taipei Golden Horse Film Festival: “The Long Departure” Review
One of the greatest pleasures, or perhaps essential rituals, at the Taipei Golden Horse Film Festival (TGHFF) is exploring its consistently strong shorts program, particularly the documentary section. They usually struggle to reach wider audiences outside of the festival circuit, making this showcase a rare opportunity. This year, among a blossom of Taiwanese short films,…
20th London Korean Film Festival: “Frosted Window” Review
Kim Jong-kwan is surely one of a kind as a filmmaker. His work reveals a keen sensitivity to the human condition. His cinema has always been a dialogue between isolation and empathy, often exploring how people drift in and out of each other’s lives, guided by memory and the delicate tremour of feeling. From Worst…
Tibet Film Festival London 2025: “MOLA” Review
Every once in a while, a documentary comes along that makes you pause and reflect on your own life – and how you move through the world. Shown at this year’s Tibet Film Festival in London, MOLA: A Tibetan Tale of Love and Loss is a beautiful portrait of family and faith, and a story…
Tibet Film Festival London 2025: “Wisdom of Happiness” Review
In today’s fast-changing and uncertain world, wisdom, happiness, and compassion are no longer just ideals; they’re essential tools for finding balance and connection. Wisdom today isn’t simply about intellect or knowledge; it’s about discernment, the ability to see clearly through the noise and distraction that fill modern life, and to make choices that serve not…
ALULA Film Festival: “Obedience” Review
Based in the heart of Hong Kong, the district of Hung Hom feels like a city within a city, a place where the living and the dead coexist almost side by side. Coffins glide through narrow streets toward nearby funeral homes, while a few steps away, commuters and street vendours fight for space among the…
2025 ALULA Film Festival: “The Homeless” Review
Homelessness is one of the most visible manifestations of social inequality. Globally, individuals experiencing homelessness often face multiple layers of marginalization – not only lacking stable housing but also encountering barriers to healthcare, employment as well as social services. The causes of homelessness are complex and intertwined, ranging from poverty, unemployment, and housing shortages to…
How Annemarie Jacir Brings Palestine’s Forgotten Uprising to the Screen – “Palestine 36” Review
Some filmmakers tell stories, and some preserve entire histories through their work. Palestinian filmmaker Annemarie Jacir belongs to the latter. Across her extraordinary career, from Salt of This Sea to When I Saw You and Wajib, Jacir’s work comes from a place of honesty, an understanding of her people’s struggle, and a refusal to let their…
69th BFI London Film Festival: “Hair, Paper, Water” Review
Vietnamese cinema has long existed in the margins of Southeast Asian film culture, overshadowed by the global recognition of its regional neighbours. Yet, in recent years, a resurgence has begun to take shape, led by filmmakers whose work values poetic observation over plot. Among them, Trương Minh Quý. His latest collaboration with Belgian filmmaker Nicolas…
69th BFI London Film Festival: In Conversation with Hsu Ya-Ting, Director of “Island of the Winds”
Born in Taiwan shortly before the end of martial law, Hsu Ya-Ting has become an important voice in Taiwanese documentary cinema. Her films weave together the personal and the political, exploring how memory and place shape people’s lives. With Island of the Winds, she tells an intimate story of the elderly residents of Losheng Sanatorium,…
VIEW OF THE ARTS 