There is no easy entry point to the work of Hong Sang-soo. Even though his style remains consistent, his Eric Rohmer-inspired narratives frequently built around off-the-cuff drunken conversations and meandering walks around Seoul, there’s a density to the storytelling not always immediately apparent. His earlier work could often be in conversation with itself, with metatextual…
Category: General
MARK and Lee Young-ji Deliver Fire with “Fraktsiya”
NCT’s MARK heats up the cold winter season with his new hip-hop track Fraktsiya, featuring Lee Young-ji. Released on December 16th via SM Entertainment, the song mixes UK drill-inspired beats, house-infused chords, and thunderous 808 basslines. MARK’s razor-sharp verses and Lee Young-ji’s unstoppable bars converge in a song that feels like a victory lap for…
Yves: Embracing the Spotlight in Her First Solo Show in London – Concert Review
Starting a solo career is both thrilling and challenging, and Yves, formerly of LOONA, recently took a bold step forward with her European tour, APPLE CINNAMON CRUNCH, which included a stop in the UK. Her London performance undoubtedly showed the courage needed to embrace this new chapter in her musical journey. Though hints of nervousness…
Eight Stories, Endless Nightmares: Inside Thai’s “Terror Tuesday: The Extreme” – TV Show Review Part Two
And here is our part two… Dear Granny Unlike the others, this episode’s opening feels particularly refreshing. It begins with Montha (Bee Namthip Jongrachatawiboon) taking a tranquil walk by a lake with her mother. The scene is relaxing, almost lulling viewers into a false sense of security, as they stroll under a crisp blue sky…
Eight Stories, Endless Nightmares: Inside Thai’s “Terror Tuesday: The Extreme” – TV Show Review Part One
What could possibly be better than one Thai horror movie? How about eight? Terror Tuesday: The Extreme is an anthology series created by Chayan Laodtrakool, inspired by the popular radio program Angkhan Khlumpong (Terror Tuesday). Each episode focuses supposedly on true-life horror stories, all set across Thailand. While our binge-watching culture might tempt you to…
Lindsay McIntyre on Cultural Preservation and Storytelling Through “NIGIQTUQ (The South Wind)”
Native cinema, whether from the Americas, Australia, the Pacific Islands, or any other region, plays a vital role in today’s film industry by serving as a powerful medium for storytelling, cultural preservation, and social advocacy. For far too long, Indigenous communities have been underrepresented or misrepresented in mainstream media. Native filmmakers are now reclaiming their…
CRUNCHYROLL Bringing “Attact on Titan: The Last Attack” to UK Cinemas Early Next Year
Attack on Titan (Shingeki no Kyojin), the monumental anime series adapted from Hajime Isayama’s manga, has been one of the most exciting animes. Over its ten-year run, from April 7, 2013, to November 5, 2023, the series impressed many with its powerful storytelling, complex characters, and groundbreaking animation. Airing initially on MBS TV and later…
Yves: Redefining Herself as a Soloist – Exclusive Interview
Yves, a South Korean singer and producer, has always been known for her musical versatility. She debuted as a solo artist on May 29, 2024, with her first extended play, LOOP. And later this year, she followed up with her second EP, I [Did]. Yves first caught attention as a member of the girl group…
HEYOON – Dancing Through Life and Singing Into New Beginnings – Exclusive Interview
Heyoon Jeong, also known as HEYOON, has always been a force of nature, impressing audiences with her extraordinary talent as a dancer, singer, rapper, and choreographer. Born in Daejeon, South Korea, Heyoon’s journey from her early ballet classes to global stardom is an inspiring story for every female out there. She was a key member…
“NIGIQTUQ ᓂᒋᖅᑐᖅ (The South Wind)” Review
Lindsay McIntyre’s NIGIQTUQ ᓂᒋᖅᑐᖅ (The South Wind) is a heartfelt exploration of identity, cultural displacement, and survival. Based on the director’s grandmother’s story, this moving short film brings viewers to 1938, where young Marguerite and her mother Kumaa’naaq (koo-MAT-na) leave their Inuit homeland in Nunavut to build a new life in the South. This transition…
VIEW OF THE ARTS 