There’s something magical about Thai BL dramas; their stories connect people not only in Thailand but all around the world. Whether it’s the slow burn, the unspoken glances, the richness of emotion, or simply seeing parts of ourselves in the characters, these shows become personal experiences, unless, of course, they involve supernatural beings. While some…
Category: LGBTQIA+ CINEMA
Kim Kang-min and OMEGA X’s Kevin on Hot New BL Drama “My Bias Is Showing!”
The tides are turning, and actor Kim Kang-min and OMEGA X’s Kevin are mermen. BL (Boys’ Love) and other LGBTQIA+ themed dramas are abundant in regions like Thailand and the Philippines, but South Korea is not quite there yet. That’s why Webtoon phenomenon My Bias Is Showing!’s adaptation is such a big deal; there are…
Experience the Magic of Another Fanmeet: JIB DREAM FANMEET in Rome Details
Over the past decade, Thailand’s Boys’ Love (BL) dramas have become far more than niche entertainment. They are vibrant, emotionally rich stories that allow characters and viewers to explore vulnerability, identity, and romance without apology. One of the genre’s most unique strengths is pairing consistency: actors who work together across multiple series build trust and…
Behind the Scenes of “I’m The Most Beautiful Count” with Nut and Ping – Exclusive Interview
Currently airing Thai series I’m The Most Beautiful Count, starring Nut Supanut Lourhaphanich and Ping Orbnithi Leelavetchabutr, is a journey of self-discovery wrapped in perfectly timed humour. Adapted from the webtoon Chan Ni Lae Than Khun Thi Suai Thi Sut Nai Siam by Yuen Kin Pakka Thi Than Phra, the series follows Prince – essayed…
“I’m The Most Beautiful Count”: A Thai BL Drama of Queer Love and Palace Secrets – Review of the First Two Episodes
From its first flashy frame, Thai series I’m The Most Beautiful Count – adapted from the webtoon Chan Ni Lae Than Khun Thi Suai Thi Sut Nai Siam by Yuen Kin Pakka Thi Than Phra – brims with a sense of intrigue. Dropping us into the glamorous world of our protagonist, superstar Prince (Nut Supanut…
27th Far East Film Festival: In Conversation with E.oni, Director of “Love in the Big City”
In the contemporary Korean cinema, director Lee Eon-hee, known professionally as E. oni, is recognised for her quietly revolutionary voice in telling human stories. E.oni was part of the first graduating class of the Korea National University of Arts, where she majored in film. Her early career was rooted in foundational, behind-the-scenes work: she served…
27th Far East Film Festival: “Love in the Big City” Review
If you never thought a plastic uterus model would make a good plant, prepare yourself for some redecorating. The stolen emblem sitting atop glass marbles as the years tick away is the most profound object you’ll see in the whole of E.oni’s Love in the Big City, a film that, despite the assumed subject matter,…
27th Far East Film Festival Announces Its Lineup – A True Celebration of Asian Cinema
The 27th edition of the Far East Film Festival (FEFF) in Udine continues its long-standing mission of showing contemporary Asian cinema. With a lineup of 75 films from 11 countries – including 7 world premieres, 15 international premieres, 20 European premieres, and 19 Italian premieres – the festival presents a diverse mix of popular, auteur,…
39th BFI Flare: London LGBTQIA+ Film Festival: In Conversation with Lee Yujin, Director of “Manok” – Exclusive Interview
South Korean filmmaker Lee Yujin brings a refreshing and nuanced perspective to the screen with Manok, a film that beautifully combines humour with moving themes of acceptance and belonging. Set in the rural village of Iban-ri, Manok follows its titular character as she returns to her hometown in the wake of her mother’s passing, only…
39th BFI Flare: London LGBTQIA+ Film Festival: Actor Han Gi-chan Discusses “The Wedding Banquet” – Exclusive Interview
Andrew Ahn’s The Wedding Banquet revitalises Ang Lee’s 1993 classic, bringing a contemporary lens to themes of love, the weight of tradition, the complexities of identity, and societal expectations. While the original film followed a dutiful Taiwanese son confronting the pressures of tradition, Ahn’s version expands the narrative, introducing new characters and conflicts that reflect…
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