78th Cannes Film Festival : “Caravan” Review

Premiering at Cannes, Caravan is a road movie unlike any other this year. It is gentle, intimate, and powerful in its insistence on giving space to characters who are so rarely seen, let alone authentically portrayed, on screen. Directed with compassion, the film follows Ester (David Vodstrčil), a middle-aged mother overwhelmed by years of caring…

78th Cannes Film Festival: “A Useful Ghost” Review

Ratchapoom Boonbunchachoke’s debut feature, A Useful Ghost, is a superb, part political reflection, part gentle love story, and part quirky ghost tale, all set in glowing fog and the remains of an industrial past. Playful and bold, the film moves through themes of death, memory, and class with ease, guided by a director who clearly…

78th Cannes Film Festival: “I Only Rest in the Storm” Review

Pedro Pinho’s I Only Rest in the Storm is a hypnotic and textured look at power, identity, and longing, set in a tense West African city. The film follows Sergio, an environmental engineer working on a controversial road between the desert and the forest, as it explores the tangled realities of neo-colonialism, expat privilege, and…

78th Cannes Film Festival: “Dandelion’s Odyssey” Review

Dandelion’s Odyssey, directed by Momoko Seto, is an imaginative and visually striking film that goes beyond language and species to tell its story. Combining elements of nature documentary, animation, and abstract art, it remains grounded in emotion and wonder. The film follows four dandelion seeds as they travel through strange, hostile yet beautiful landscapes, reflecting…

78th Cannes Film Festival: “Meteors” Review

In Meteors, Hubert Charuel and co-writer Claude Le Pape deliver one of the most emotionally potent and visually singular films to emerge from this year’s Cannes Un Certain Regard. What begins as a gritty portrait of dead-end lives in France’s rural east evolves – unexpectedly, heartbreakingly – into a tender story about male friendship, addiction,…