“Cloud” Review: Capitalism and Alienation in the Digital Age

Few directors are as skilled as Japanese auteur Kiyoshi Kurosawa when it comes to articulating the alienation and paranoia of the digital age. One of his first international breakouts, already decades deep into his career, was 2001’s Pulse, a distressing ghost story about the gradual supernatural invasion of the online world which managed to accurately…

39th BFI Flare: London LGBTQIA+ Film Festival: Actor Han Gi-chan Discusses “The Wedding Banquet” – Exclusive Interview

Andrew Ahn’s The Wedding Banquet revitalises Ang Lee’s 1993 classic, bringing a contemporary lens to themes of love, the weight of tradition, the complexities of identity, and societal expectations. While the original film followed a dutiful Taiwanese son confronting the pressures of tradition, Ahn’s version expands the narrative, introducing new characters and conflicts that reflect…