“Home for Rent” Review

2023’s Home for Rent might not immediately strike you as a terrifying choice for your watchlist, but as the old adage goes, “Don’t judge a book by its cover.” In this case, the same applies to a Netflix thumbnail. Thai horror films have a knack for unsettling Western audiences by expertly blending jump scares and…

38th BFI Flare: London LGBTQIA+ Film Festival – “Heavy Snow” Review

Heavy Snow, written and directed by Yun Su-ik, is a subtle, heartwarming, and delicate narrative that depicts a friendship and budding romance between two teenage girls and their tumultuous journey through adolescence. At the centre of the story is Seol (Han So-hee: Nevertheless, My Name), a teenage actress whose world is transformed when she encounters…

38th BFI Flare: London LGBTQIA+ Film Festival – “Nobody Knows” Review

Despite significant progress in recent years, the LGBTQIA+ community continues to face discrimination and marginalisation in Asia and around the world. While some countries have made strides towards equality, many from the community still live in fear of persecution, violence, and rejection by society due to their sexual orientation or gender identity. In Asia, cultural…

17th Asian Film Awards Nominations Announced

Celebrating its 17th anniversary, the Asian Film Awards (AFA) has unveiled the nominees for its 16 award categories ahead of the ceremony scheduled for March 10, 2024 (Sunday). The Asian Film Awards Academy (AFAA), established by the Busan, Hong Kong, and Tokyo International Film Festivals, aims to honour excellence in Asian cinema. AFAA plays an…

“Perfect Days” Review

It seems nearly impossible for a director from the West to shoot Tokyo from anything other than a tourist’s perspective. Sofia Coppola’s Lost in Translation and Gaspar Noé’s Enter the Void are seen as the two biggest offenders in this regard, with the Japan Times review of the latter opening with the pithy claim that:…

“Evil Does Not Exist” Review

The final moments of Evil Does Not Exist have proven divisive, but you won’t be able to successfully argue that Ryusuke Hamaguchi hasn’t tried to prepare you for them. From the opening moments to his latest effort, a prize winner at the recent Venice and London film festivals, it feels like the director is consciously…