Ilo Ilo Review

Set in Singapore, during the Great Asian Financial Crisis, Ilo Ilo, written and directed by Anthony Chen, tells the story of a relationship between a family of three: Teck (Tian Wen Chen), Hwee (Yann Yann Ye) and Jiale (Koh Jia Ler) and their Filipino maid, Teresa (striking and moving performance by Angeli Bayani) who has…

The 57th BFI London Film Festival: Ida

Born in Poland, Pawel Pawlikoski (My Summer of Love, The Woman in the Fifth) has come back to his native country after years of voluntary emigration and has immediately presented us with an intimate black and white drama Ida, which takes place at the beginning of 1960s. Anna, also known as Ida (Agata Trzebuchowska’s film…

55th BFI London Film Festival: A Dangerous Method Review

Freud and Jung undoubtedly have gone down in history for their work on psychoanalysis. Their ideas and biographies have kindled the imagination of not only the researchers from different disciplines, but also ordinary people. This is evident through David Cornenberg’s (The Fly, A History of Violence, Eastern Promises) new film  ‘A Dangerous Method’. The Swiss…

55th BFI London Film Festival: The Artist review

When I first discovered that a new silent film was being made I knew instantly that I would adore it. Having grown up watching silent cinema, namely the works of Charlie Chaplin, I had become accustomed to the soundtrack replacing an actor’s voice. This is not the case for everybody though, so of course Michel…

55th BFI London Film Festival: Carnage Review

  The God of Carnage is the only God which has ruled indivisibly since the beginning of time.  Power equals strength.  The law of the strongest is always valid, but the powerful is always right.  Due to huge tensions, many nervous cords are being touched, hoarse throats and piles of pulled out hair “the end…