69th BFI London Film Festival: “Hair, Paper, Water” Review

Vietnamese cinema has long existed in the margins of Southeast Asian film culture, overshadowed by the global recognition of its regional neighbours. Yet, in recent years, a resurgence has begun to take shape, led by filmmakers whose work values poetic observation over plot. Among them, Trương Minh Quý. His latest collaboration with Belgian filmmaker Nicolas…

69th BFI London Film Festival: “Human Resource” Review

Abortion remains one of the most polarising debates in the world: a subject weighed down by politics, religion, and morality, but rarely centred on the lived experiences of the women forced to make impossible choices. Too often, the men who play a part in unplanned pregnancies can walk away, while women are left carrying the…

Explore East Asian Cinema at LEAFF 2025: Full Film Lineup

The London East Asia Film Festival (LEAFF) returns this autumn to celebrate its 10th anniversary. From 23 October to 2 November 2025, the festival will once again transform the capital into a hub of cinematic celebration, bringing over 40 films from across the region to some of London’s most iconic venues. Over the past decade,…

Experience the Magic of Another Fanmeet: JIB DREAM FANMEET in Rome Details

Over the past decade, Thailand’s Boys’ Love (BL) dramas have become far more than niche entertainment. They are vibrant, emotionally rich stories that allow characters and viewers to explore vulnerability, identity, and romance without apology. One of the genre’s most unique strengths is pairing consistency: actors who work together across multiple series build trust and…

82nd Venice Film Festival: “The Sun Rises on All of Us” Review (2)

The Sun Rises on Us All, (Chinese title: Ri Gua Zhong Tian), offers a more nuanced interpretation of the story. The title comes from an ancient Cantonese opera and calls to mind themes of forgiveness and reconciliation after hardship. This ties closely to the plot, in which Meiyun (Xin Zhi-lei) and Baoshu (Zhang Song-wen), once…

82nd Venice Film Festival: “Father” Review

Tereza Nvotová’s Father (Otec) had its world premiere in the Orizzonti section at this year’s Venice International Film Festival, and from its opening frame, we are in the hands of a filmmaker unwilling to compromise on emotional or cinematic truth. Known for her courageous portraits of trauma in Filthy and Nightsiren, Nvotová turns her attention…