Um Tae Goo: Finding Depth in Every Role – Exclusive Interview

To be an actor is to walk a fine line between reality and illusion, between self and character, and nowhere is this delicate dance more visible than in roles that challenge and stretch the frame of identity. The beauty of acting lies in the ability to entertain and in the subtle journey of transformation –…

KCCUK Announces London Korean Film Festival Programme

The 19th edition of the London Korean Film Festival (LKFF), organized by the Korean Cultural Centre UK (KCCUK) with the support of the Korean Film Council, proudly presents its 2024 programme. The festival will run from November 1 to November 13 at venues including BFI Southbank, Ciné Lumière, and the Institute of Contemporary Arts (ICA)….

Herman Yau on His Latest Work, “Customs Frontline”, and Filmmaking

Herman Yau’s latest film, Customs Frontline, premiered globally at the FEFF 26 in Udine this past May and is set for its Asian premiere in Hong Kong this July. A maverick director known for his prolific output, Yau was born in China in 1961 and studied Film at Hong Kong Baptist University. Over a remarkable…

Discussing “Alienoid: Return to the Future” with Director Choi Dong-hoon and Producer Ahn Soo-hyun – Exclusive Interview

I first interviewed Choi Dong-hoon, one of South Korea’s leading directors and screenwriters, in 2015 at the BFI London Film Festival, where he was promoting his espionage action film Assassination. Choi, renowned for his consistent box-office success, spent several years developing the script for Alienoid, a sci-fi fantasy action film. After premiering Alienoid at the…

77th Cannes Film Festival: “Locust” Review

Every generation has its angry young men, rebelling against the cultural conformity of the era. From James Dean in Rebel Without a Cause and Marlon Brando in The Wild One pushing back against the stifling conservatism of the Eisenhower age, to the various turn-of-the-century studies of disaffected adults stilted by middle-class life, these are snapshots…