I first interviewed Choi Dong-hoon, one of South Korea’s leading directors and screenwriters, in 2015 at the BFI London Film Festival, where he was promoting his espionage action film Assassination. Choi, renowned for his consistent box-office success, spent several years developing the script for Alienoid, a sci-fi fantasy action film. After premiering Alienoid at the…
Tag: FEFF26
Beyond Preservation: Curation and Programming of Korean Film Archive – In Conversation with Kim Hong-joon, Director of the KOFA
The theme of the Far East Film Festival’s retrospective program this year was “Saving the Past: 50/50: Celebrating 50 Years of Korean Film Preservation” and it was focused on a tumultuous yet pivotal decade for Korean cinema. The 1950s were a time of great upheaval and these films – restored under the direction of the…
26th Far East Film Festival: In Conversation with Zhang Yudi, Director of “The Midsummer’s Voice” – Exclusive Interview
Peking Opera, a revered Chinese art form blending centuries-old traditions, faces challenges in modern times, struggling to engage the younger generation. Despite government support and international interest, efforts to modernise it and attract younger viewers have shown mixed results. However, Zhang Yudi’s film The Midsummer’s Voice offers a fresh perspective, focusing on the struggles of…
26th Far East Film Festival: In Conversation with Eugene Domingo and Jun Lana of “Becky and Badette” – Exclusive Interview
In Becky and Badette, director Jun Lana is facing the social media machine and what those who use it can be willing to do to gain fame. The comedy tackles this subject through Becky and Badette, played by Eugene Domingo and Pokwang. Best friends since their school days, they are in dead-end jobs, completely broke,…
26th Far East Film Festival “The Goldfinger” Review
Felix Chong’s loose fashioning of the real-life Carrian Group financial scandal of ‘80s Hong Kong into film is a polarising triumph that you’ll either get or you won’t. The Goldfinger has actors Tony Leung Chiu-wai and Andy Lau reuniting on screen, two decades since their starring together in Internal Affairs (2002)—which, amazingly, was also directed…
26th Far East Film Festival: “Bushido” Review
The jidaigeki, or samurai period drama, has been done a thousand times in a thousand different ways, but it can still feel refreshing like Kazuya Shiraishi’s Bushido. Based on rakugo, or comic storytelling, the narrative follows Kakunoshin Yanagida (Tsuyoshi Kusanagi) a humble ronin who has fallen on hard times and lives in a small community…
26th Far East Film Festival: “The Roundup: Punishment” Review
In The Roundup: Punishment Ma Dong-seok strikes again… and again, and again in this rip-roaring action thriller that’ll have everyone’s hearts pumping. The fourth film in the franchise, Punishment sees detective Ma Seok-do (Ma) try to deliver just that after young Korean man Jo Sung-jae is killed in the Philippines and his mother begs the…
26th Far East Film Festival: “The Midsummer’s Voice” Review
Peking Opera is a Chinese art form with a rich history spanning over hundreds of years. Drawing inspiration from diverse sources including the music and dance traditions of the Han Dynasty (206 BC-220 AD), the performing arts of the Tang Dynasty (618-907), the Southern Opera during the Song Dynasty (960-1279), and the Kunqu Opera in…
26th Far East Film Festival: “Exhuma” Review
What do a Feng Shui master, a mortician, and a shaman all have in common? No, this isn’t the setup for a terrible joke; instead, it’s the main plot of the Korean supernatural horror film Exhuma. Although the film starts off slowly, it effectively introduces the main characters and their backgrounds. Additionally, it provides an…
26th Far East Film Festival: In Conversation with Jang Jae-hyun, Director of “Exhuma”
Jang Jae-hyun, a South Korean film director and screenwriter, earned acclaim for his work on blockbuster films such as The Priests (2015), Svaha: The Sixth Finger (2019), and Exhuma (2024). His career took off when he worked as an assistant director on the period drama Masquerade (2012). Jang Jae-hyun was also praised for his short…
VIEW OF THE ARTS 