Celebrating 20 Years of Korean Film: LKFF 2025

Now in its landmark 20th year, the London Korean Film Festival (LKFF) returns from 5 to 18 November 2025. Organised by the Korean Cultural Centre UK (KCCUK) and supported by the Korean Film Council, this year’s anniversary edition will unfold across BFI Southbank, Ciné Lumière, and ICA London, offering an ambitious lineup. The festival opens…

Jia Zhangke and the Pingyao International Film Festival

Jia Zhangke is a name inseparable from contemporary cinema, especially this year. Over the past few months, he has appeared at major festivals worldwide, championing cross-cultural exchange: first the Taipei Film Festival in June, then Venice in August, Busan in mid-September, and finally his own Pingyao International Film Festival (PYIFF) at the end of the…

Experience the Magic of Another Fanmeet: JIB DREAM FANMEET in Rome Details

Over the past decade, Thailand’s Boys’ Love (BL) dramas have become far more than niche entertainment. They are vibrant, emotionally rich stories that allow characters and viewers to explore vulnerability, identity, and romance without apology. One of the genre’s most unique strengths is pairing consistency: actors who work together across multiple series build trust and…

30th Busan International Film Festival: “I Only Rest in the Storm” Review

Pedro Pinho’s I Only Rest in the Storm is a hypnotic and textured look at power, identity, and longing, set in a tense West African city. The film follows Sergio, an environmental engineer working on a controversial road between the desert and the forest, as it explores the tangled realities of neo-colonialism, expat privilege, and relationships in…

30th Busan International Film Festival: “Shape of Momo” Review

Shown at this year’s Busan International Film Festival, Tribeny Rai’s debut feature, Shape of Momo, is a wonderful piece of writing. A powerful film that listens closely to the hidden struggles of women living within the limits of tradition. The narrative centres on Bishnu, a 32-year-old who abandons her city job and returns to her…

30th Busan International Film Festival: “Dear Stranger” Review

Tetsuya Mariko’s Dear Stranger begins not with the disappearance of a child, but with the erosion of a marriage. Kenji (Hidetoshi Nishijima: Drive My Car, Serpent’s Path), a Japanese architecture professor in New York, and Jane (Gwei Lun-Mei: The Wild Goose Lake), a Taiwanese-American puppeteer who has put her art aside to raise their young…