With LARGO, the filmmakers, Salvatore Scarpa and Max Burgoyne-Moore, take a necessary approach to the refugee crisis, telling the story entirely through the eyes of a child. By centring the narrative on Musa, a young boy confronting trauma and displacement. The decision to adopt a child’s perspective was not only a creative choice but also…
Tag: film
78th Locarno Film Festival: “GREEN LIGHT” Review
Few subjects are as emotionally fraught or politically charged as the right to die. Yet in GREEN LIGHT, director Pavel Cuzuioc approaches this terrain not with controversy, but with a clear-eyed compassion. Premiering in the Semaine de la Critique section at the Locarno Film Festival, the film shows the life and work of Dr. Johann…
“I’m The Most Beautiful Count”: A Thai BL Drama of Queer Love and Palace Secrets – Review of the First Two Episodes
From its first flashy frame, Thai series I’m The Most Beautiful Count – adapted from the webtoon Chan Ni Lae Than Khun Thi Suai Thi Sut Nai Siam by Yuen Kin Pakka Thi Than Phra – brims with a sense of intrigue. Dropping us into the glamorous world of our protagonist, superstar Prince (Nut Supanut…
JIB DREAM FANMEET – Rome Gears Up for Triple Thai BL Fanmeet
This autumn, the heart of Rome will be filled with excitement as JIB Dream Fanmeet returns with not one, but three spectacular Thai Boys’ Love (BL) events – between August 2025 and August 2026. Hosted at the Hilton Rome Airport Hotel in Fiumicino, these gatherings are not only about the stars, but also about the…
78th Locarno Film Festival: “Legend of the Happy Worker” Review
Duwayne Dunham is an artist of seemingly dual identities; both a long-term collaborator of David Lynch – directing several episodes of Twin Peaks, and editing every instalment of The Return – and a filmmaker responsible for several live-action Disney movies, both on the big screen and direct to the Disney Channel. Arriving at this year’s…
78th Locarno Film Festival: Roberto Rossellini’s “ANNO UNO” (Restored) Review
Roberto Rossellini was a key figure in Italian neorealism, known for films like Rome, Open City (1945), Paisan (1946), and Germany, Year Zero (1948). His use of non-professional actors and real locations transformed postwar cinema. Later, his collaborations with Ingrid Bergman – Stromboli (1950), Europe ’51 (1952), and Journey to Italy (1954) – showed how…
78th Locarno Film Festival: In Conversation with Park Syeyoung, Director of “The Fin”
Seoul-based Syeyoung Park is an interesting independent filmmaker. A graduate of the Korea National University of Arts, with a BFA in Film and an MFA in Video Arts, Park made his feature debut with The Fifth Thoracic Vertebra, which earned him awards at the Bucheon International Fantastic Film Festival, Seoul Independent Film Festival, and Fantasia,…
78th Locarno Film Festival: “The Fin” Review
Korean cinema continues to prove its global dominance not just through streaming platforms, but through visionary films that challenge and expand the very language of cinema. With The Fin, director Park Syeyoung delivers a haunting work, an unsettling look at control and survival in the aftermath of ideology. Set in a post-unification, ecologically devastated Korea,…
30th Busan International Film Festival: Special Program in Focus – Defining Moments of Asian Cinema
Marking its 30th milestone, the Busan International Film Festival (BIFF) presents the third edition of Asian Cinema 100 under the theme Defining Moments of Asian Cinema. Curated in collaboration with the Pusan National University Film Institute and the Korean Film Archive, the program revisits the artistry and history of Asian filmmaking through landmark works, each…
Park Chan-wook Returns with “No Other Choice”, Opening the 30th Busan International Film Festival
Three years after his critically acclaimed Decision to Leave (2022), director Park Chan-wook makes a powerful return to the screen with No Other Choice, a gripping drama centered on a man’s desperate fight to protect everything he holds dear. The story follows Man-su (Lee Byung Hun), a once-proud man whose stable life is suddenly upended…
VIEW OF THE ARTS 