69th BFI London Film Festival: “Human Resource” Review

Abortion remains one of the most polarising debates in the world: a subject weighed down by politics, religion, and morality, but rarely centred on the lived experiences of the women forced to make impossible choices. Too often, the men who play a part in unplanned pregnancies can walk away, while women are left carrying the…

Explore East Asian Cinema at LEAFF 2025: Full Film Lineup

The London East Asia Film Festival (LEAFF) returns this autumn to celebrate its 10th anniversary. From 23 October to 2 November 2025, the festival will once again transform the capital into a hub of cinematic celebration, bringing over 40 films from across the region to some of London’s most iconic venues. Over the past decade,…

Celebrating 20 Years of Korean Film: LKFF 2025

Now in its landmark 20th year, the London Korean Film Festival (LKFF) returns from 5 to 18 November 2025. Organised by the Korean Cultural Centre UK (KCCUK) and supported by the Korean Film Council, this year’s anniversary edition will unfold across BFI Southbank, Ciné Lumière, and ICA London, offering an ambitious lineup. The festival opens…

Jia Zhangke and the Pingyao International Film Festival

Jia Zhangke is a name inseparable from contemporary cinema, especially this year. Over the past few months, he has appeared at major festivals worldwide, championing cross-cultural exchange: first the Taipei Film Festival in June, then Venice in August, Busan in mid-September, and finally his own Pingyao International Film Festival (PYIFF) at the end of the…

30th Busan International Film Festival: “I Only Rest in the Storm” Review

Pedro Pinho’s I Only Rest in the Storm is a hypnotic and textured look at power, identity, and longing, set in a tense West African city. The film follows Sergio, an environmental engineer working on a controversial road between the desert and the forest, as it explores the tangled realities of neo-colonialism, expat privilege, and relationships in…

30th Busan International Film Festival: “Shape of Momo” Review

Shown at this year’s Busan International Film Festival, Tribeny Rai’s debut feature, Shape of Momo, is a wonderful piece of writing. A powerful film that listens closely to the hidden struggles of women living within the limits of tradition. The narrative centres on Bishnu, a 32-year-old who abandons her city job and returns to her…

30th Busan International Film Festival: “Dear Stranger” Review

Tetsuya Mariko’s Dear Stranger begins not with the disappearance of a child, but with the erosion of a marriage. Kenji (Hidetoshi Nishijima: Drive My Car, Serpent’s Path), a Japanese architecture professor in New York, and Jane (Gwei Lun-Mei: The Wild Goose Lake), a Taiwanese-American puppeteer who has put her art aside to raise their young…