For many North Korean defectors, crossing the border is not the end of a story but the start of another kind of struggle. Frederik Sølberg’s Hana Korea, co-written with Sharon Choi, goes straight into that fraught second chapter. The film is a great story of adaptation and loss: how the comforts of a new country…
Tag: film review
39th BFI Flare: London LGBTQIA+ Film Festival – “Việt and Nam” Review
If you’re a Vietnamese filmmaker, presenting a story to the world about two star-crossed lovers nicknamed Viet and Nam is all but asking the audience to interpret the trajectory of their relationship as a metaphor for the nation itself. The third film from writer/director Truong Minh Quy attempts to avoid this straightforward categorization due to…
75th Berlin International Film Festival: “The Good Sister” Review
Sarah Miro Fischer’s The Good Sister, screened in Panorama at this year’s Berlinale, is a haunting exploration of family bonds tested by the unimaginable. The film depicts the emotional turmoil of Rose (Marie Bloching), whose brother Sam (Anton Weil) is accused of a sexual offense. By centering the narrative on a sibling rather than the…
9th London East Asia Film Festival: “Exhuma” Review
What do a Feng Shui master, a mortician, and a shaman all have in common? No, this isn’t the setup for a terrible joke; instead, it’s the main plot of the Korean supernatural horror film Exhuma. Although the film starts off slowly, it effectively introduces the main characters and their backgrounds. Additionally, it provides an…
Discussing “Alienoid: Return to the Future” with Director Choi Dong-hoon and Producer Ahn Soo-hyun – Exclusive Interview
I first interviewed Choi Dong-hoon, one of South Korea’s leading directors and screenwriters, in 2015 at the BFI London Film Festival, where he was promoting his espionage action film Assassination. Choi, renowned for his consistent box-office success, spent several years developing the script for Alienoid, a sci-fi fantasy action film. After premiering Alienoid at the…
77th Cannes Film Festival: “When the Light Breaks” Review
Under the moody lilac skies of the Northern hemisphere, comes an 80-minute life sampler of the hopeful and free-spirited youths of Iceland, directed by Rúnar Rúnarsson. There’s only really two plot points of the whole film, which would explain its length; the rest is filled in with the characters’ – particularly Una’s – emotional conflicts…
77th Cannes Film Festival: “Universal Language” Review
The latest absurdist gem sitting behind the oh-so-frightening curtain of non-English cinema is Cannes Directors’ Fortnight: Audience Award winner Universal Language, directed by and starring Matthew Rankin. In Persian and French, the film lands us in the snow-laid streets of Winnipeg, starting off in the French immersion school attended by Nazgol (Saba Vahedyousefi), Negin (Rojina…
77th Cannes Film Festival: “Locust” Review
Every generation has its angry young men, rebelling against the cultural conformity of the era. From James Dean in Rebel Without a Cause and Marlon Brando in The Wild One pushing back against the stifling conservatism of the Eisenhower age, to the various turn-of-the-century studies of disaffected adults stilted by middle-class life, these are snapshots…
26th Far East Film Festival: In Conversation with Yeon Je-gwang, Lee Ju-seung and Jeong Soo-gyo of “The Guest” – Exclusive Interview
The Guest, written and directed by Yeon Je-gwang, presents a dark and gritty portrayal of a secluded love motel, where hidden cameras capture the most intimate moments of its guests. As two employees, Min-cheol (Lee Ju-seung: Socialphobia, Broken) and Young-gyu (Han Min: Joseon Attorney: A Morality, You Are My Spring), find themselves embroiled in a…
26th Far East Film Festival: In Conversation with Jang Jae-hyun, Director of “Exhuma”
Jang Jae-hyun, a South Korean film director and screenwriter, earned acclaim for his work on blockbuster films such as The Priests (2015), Svaha: The Sixth Finger (2019), and Exhuma (2024). His career took off when he worked as an assistant director on the period drama Masquerade (2012). Jang Jae-hyun was also praised for his short…
VIEW OF THE ARTS 