30th Busan International Film Festival: “Dear Stranger” Review

Tetsuya Mariko’s Dear Stranger begins not with the disappearance of a child, but with the erosion of a marriage. Kenji (Hidetoshi Nishijima: Drive My Car, Serpent’s Path), a Japanese architecture professor in New York, and Jane (Gwei Lun-Mei: The Wild Goose Lake), a Taiwanese-American puppeteer who has put her art aside to raise their young…