Something is unsettling about Satisfaction, not because it shocks in obvious ways, but because it does not offer simple answers. It stays in discomfort, in silence, in the spaces where language fails, and in doing so, it asks one of the most difficult questions a film can pose: how do we make sense of our…
Tag: horror
As a New Dracula Due to Hit Cinemas, the Original 1931 Version Takes the Top Spot in Ratings
With a new Dracula movie set to hit cinemas next month in the US, a new study reveals that the 1931 classic Dracula remains the highest-rated Dracula-inspired film of all time. The study, conducted by QR Code Generator, evaluated over 50 movies and TV shows inspired by Bram Stoker’s 1897 novel Dracula and ranked them using IMDb scores and Rotten Tomatoes ratings…
Jonny Durgan’s “G.S.W” – Short Film Review
Driven by a compelling narrative, Jonny Durgan’s G.S.W. slowly tightens its grip on the viewer, refusing to let go until the final moments. Built around a single emergency, the film examines moral fracture and the collision of professional duty with personal fear. The film follows Beth (Genevieve O’Reilly: Revenge of the Sith, Rogue One, Ahsoka,…
62nd Taipei Golden Horse Film Festival: “The Long Departure” Review
One of the greatest pleasures, or perhaps essential rituals, at the Taipei Golden Horse Film Festival (TGHFF) is exploring its consistently strong shorts program, particularly the documentary section. They usually struggle to reach wider audiences outside of the festival circuit, making this showcase a rare opportunity. This year, among a blossom of Taiwanese short films,…
20th London Korean Film Festival: “The Land of Morning Calm” Review
Set against the subdued beauty of a Korean fishing village, The Land of Morning Calm, written and directed by Park Ri-woong, is a restrained and moving exploration of displacement and the tensions beneath everyday life. This is not a story about national identity or grand political themes; it is about people: ordinary and flawed. The Land…
20th London Korean Film Festival: In Conversation with Park Ri-woong, Director of “The Land of Morning Calm”
The Land of Morning Calm, directed by Park Ri-woong, is a powerful portrait of a fading Korean fishing village and the emotional dislocation of its residents. Supported by moving performances from Yoon Joo-sang, Yang Hee-kyung, and Khazsak Kramer, the film explores generational divides, economic decline, and the complex, often unspoken tensions surrounding immigration and arranged…
ALULA Film Festival: In Conversation with Bian Zhuo, Director of “As the Water Flows”
Bian Zhuo’s As the Water Flows is a gentle and beautiful film about aging and reconciliation, shaped by the director’s own family story. The film was inspired by the diary of Bian’s late grandfather, a man who suffered greatly during China’s Anti-Rightist Movement. What started as an attempt to recreate that hardship slowly turned into…
Joss and Gawin on “My Golden Blood”, Working Together and Their Fanmeet in Europe – Exclusive Interview
For fans of Thai BL dramas, seeing your favourite actors up close is an experience unlike any other. When Joss and Gawin arrived in London for their first European fan-meeting tour, many of us were quite excited. Fans had spent hours immersed in My Golden Blood, following the story of Mark, a vampire struggling with…
69th BFI London Film Festival: In Conversation with Shih-Ching Tsou, Director of “Left-Handed Girl”
For years, Shih-Ching Tsou has been the heartbeat behind some of contemporary cinema’s most human stories. Born and raised in Taipei, she moved to New York after graduating from Fu Jen Catholic University, earning her master’s in Media Studies at The New School. Her career began with Take Out (2004), a small, vérité-style indie she…
82nd Venice Film Festival: “Girl” Review
Girl was the directorial debut of SHU Qi. It was undoubtedly one of the most anticipated films at the 82nd Venice Film Festival. Girl marked SHU Qi’s first step into directing. It captured immense attention at the event. SHU Qi is a regular presence at Cannes, Berlinale, and the Venice Film Festival. Her first arrival…
