Tereza Nvotová’s Father (Otec) had its world premiere in the Orizzonti section at this year’s Venice International Film Festival, and from its opening frame, we are in the hands of a filmmaker unwilling to compromise on emotional or cinematic truth. Known for her courageous portraits of trauma in Filthy and Nightsiren, Nvotová turns her attention…
Tag: horror
78th Locarno Film Festival: In Conversation with Park Syeyoung, Director of “The Fin”
Seoul-based Syeyoung Park is an interesting independent filmmaker. A graduate of the Korea National University of Arts, with a BFA in Film and an MFA in Video Arts, Park made his feature debut with The Fifth Thoracic Vertebra, which earned him awards at the Bucheon International Fantastic Film Festival, Seoul Independent Film Festival, and Fantasia,…
78th Locarno Film Festival: “The Fin” Review
Korean cinema continues to prove its global dominance not just through streaming platforms, but through visionary films that challenge and expand the very language of cinema. With The Fin, director Park Syeyoung delivers a haunting work, an unsettling look at control and survival in the aftermath of ideology. Set in a post-unification, ecologically devastated Korea,…
Freddie Fox Returns Behind the Camera with “The Painting & The Statue” – Exclusive Interview
Freddie Fox has been a compelling figure in theatre, TV, and film for years. He’s well-known for roles in White House Farm, The Crown, Slow Horses, Year of the Rabbit, Pride, and The Great, and was recently seen as Loki in Netflix’s The Sandman. While many may know him for his chameleonic performances, Fox is…
“The Painting & The Statue” – A Sublime, Time-Spanning Meditation on Love, Art, and the Silent Lives In Between
Timeless love is often relegated to mythology, fiction, or short-lived daydreams – the kind of feeling that evades language and logic. But what if that love, impossible and pure, was patiently waiting – not in a grand romance, but in the stillness of a room? Freddie Fox’s The Painting & The Statue dares to ask…
78th Cannes Film Festival: “A Useful Ghost” Review
Ratchapoom Boonbunchachoke’s debut feature, A Useful Ghost, is a superb, part political reflection, part gentle love story, and part quirky ghost tale, all set in glowing fog and the remains of an industrial past. Playful and bold, the film moves through themes of death, memory, and class with ease, guided by a director who clearly…
In Conversation with Yang Hee-kyung of “The Land of Morning Calm”
Yang Hee-kyung is a celebrated South Korean actress who began her career in theatre before expanding into television and film. She earned early acclaim with a Best Actress win at the 19th Seoul Theater Festival in 1995. Known for her natural charisma, Yang consistently delivers powerful performances, and her role in The Land of Morning…
In Conversation with Yoon Joo-sang of “The Land of Morning Calm”
With a career that spans almost four decades and includes roles in theatre, television, and film, Yoon Joo-sang is undeniably one of South Korea’s most experienced and respected actors. Born in 1949, he has delivered powerful performances across a variety of genres and platforms, earning awards such as the Best Supporting Actor award at the…
27th Far East Film Festival: In Conversation with Sylvia Chang
“I feel we’re very blessed we still have films.” When looking outside feels scary, you tend to panic and freeze. And if art refuses to forgive anything, it’s stillness. It takes courage to choose to create, and great patience to learn from it. The film industry and its relationship with filmmakers have long been considered…
27th Far East Film Festival: In Conversation with Chieh Shuen Bin, Director of “Organ Child” and Actress Moon Lee
Organ trafficking is a global crisis that hides in plain sight. Generating more than $1.7 billion annually, it’s estimated that one in ten organ transplants occurs through illegal means. In Asia, the growing gap between the wealthy and the poor only intensifies the trade’s horrors. These are not just numbers; they are lives torn apart,…
