Hsu Ya-Ting’s Island of the Winds is a heart-rending documentary that immerses the viewer in the often-overlooked lives of the elderly residents of Lesheng Sanatorium, a former leper colony on the outskirts of Taipei. From the very first moments, the film builds an intimate closeness to its subjects, allowing their memories and struggles to surface…
Tag: London Film Festival
69th BFI London Film Festival: “With Hasan in Gaza” Review
Few films feel as urgent as With Hasan in Gaza. Especially now, when Palestinian voices are so often drowned out, this documentary resurrects what has been erased: streets, faces, and laughter that once existed in Gaza before repeated cycles of war and occupation. While Palestine continues to endure military occupation and the horrors of genocide,…
“Cobweb” Review
The 1970s were a particularly dark period for the Korean film industry. Shortly after South Korean filmmakers began to gain international recognition in the decade prior, a period of intense censorship followed, which hit an authoritarian peak in the seventies – at the time, many speculated there was no country in the world whose government…
66th BFI London Film Festival: “Decision to Leave” Review
It may not seem like it at first glance, but Park Chan-wook’s films are those of a distinctly romantic disposition. His narratives typically explore the tension that arises when erotic and emotional idealism meets cold, hard reality; in his films, the only happy romances can be found in either the dispassionate confines of a mental…
65th BFI London Film Festival: “Leave No Traces” Review
When WWII ended, Poland was thrown into another brutal fight, this time not against Nazis, but against communism, which took over the country from 1947 until 1989. While the 1950s, 60s, and 70s were unsettling, it was the 1980s that many consider to be the most significant time in the lives of Poles. Martial Law…
Nomadland Review
Nomadland is a curious beast; a sobering look at the ramifications of an ageing, expanding workforce in the gig economy following the 2008 recession, critical of the corporations who have forced people into this position, while also feeling at first glance like it’s pulling some of its punches. At least, that’s how this writer interpreted…
I am Samuel Review
The criminalisation of same-sex relationships in Africa is commonplace. In 2013, 38 African countries made homosexuality a crime under the law. Opposition to people of different sexual orientation has become more and more visible, with Kenya being one of those countries where homosexuality is criminalised and socially unacceptable; if convicted, a person could face up…
62nd BFI London Film Festival: Birds of Passage Review
Guajira peninsula, northern Colombia. It’s the late 60’s; while the western world is amidst its social and cultural revolutions, a young woman, dressed in a bright red ceremonial robe, is engaged in a frenetic courtship dance with her soon-to-be husband. Set at the backdrop of a wide and windy desert, this visually striking scene introduces…
62nd BFI London Film Festival: The Spy Gone North Review
The historical drama is a tale that is constantly over-shadowed by its real-life counterpart’s undoing. No matter which way the film may elude to direct itself, the foreboding presence of certain real-life individuals makes clear to an audience which way the film will steer. This is especially the case when dealing with the infamous Kim…
62nd BFI London Film Festival: Last Child Review
There is nothing more distressing for parents than to lose a child. It is no wonder that the topic is one of the hardest to convey on the screen, especially so since the grief and unimaginable suffering take on many different faces and stages. The complex, confusing and isolating feelings associated with the loss of…
VIEW OF THE ARTS 