Thai BL dramas are more than a wave of romantic storytelling; they have become a space where openness and inclusivity thrive, challenging old taboos and allowing audiences to explore the many shades of love without restrictions. Within this landscape, few duos have captured hearts quite like Boss Chaikamon Sermsongwittaya and Noeul Nuttarat Tangwai. Together, the…
Tag: movie-review
20th London Korean Film Festival: In Conversation with Yeon Woo-jin of “Frosted Window”
Yeon Woo-jin is one of South Korea’s most versatile and compelling actors. Rising from a background in modeling to presence on screen, Yeon’s early recognition came with his role in Arang and the Magistrate (2012), which earned him a Best New Actor nomination. Since then, he has consistently demonstrated an ability to inhabit a wide…
ALULA Film Festival: In Conversation with Bian Zhuo, Director of “As the Water Flows”
Bian Zhuo’s As the Water Flows is a gentle and beautiful film about aging and reconciliation, shaped by the director’s own family story. The film was inspired by the diary of Bian’s late grandfather, a man who suffered greatly during China’s Anti-Rightist Movement. What started as an attempt to recreate that hardship slowly turned into…
69th BFI London Film Festival: In Conversation with Shih-Ching Tsou, Director of “Left-Handed Girl”
For years, Shih-Ching Tsou has been the heartbeat behind some of contemporary cinema’s most human stories. Born and raised in Taipei, she moved to New York after graduating from Fu Jen Catholic University, earning her master’s in Media Studies at The New School. Her career began with Take Out (2004), a small, vérité-style indie she…
69th BFI London Film Festival: “High Wire” Review
Hong Kong director Calif Chong, best known for her acclaimed 2019 short Underneath, delivers something different with High Wire. High Wire speaks to something human and widely felt: the way immigration reshapes people, their hopes, their fears, and their relationships with the next generation. For many immigrant parents, the act of starting over comes with…
78th Locarno Film Festival: “Legend of the Happy Worker” Review
Duwayne Dunham is an artist of seemingly dual identities; both a long-term collaborator of David Lynch – directing several episodes of Twin Peaks, and editing every instalment of The Return – and a filmmaker responsible for several live-action Disney movies, both on the big screen and direct to the Disney Channel. Arriving at this year’s…
“LARGO” Short Film Review
“There are 11 million child refugees in the world. 1.3 million in Europe. 127,000 in the UK.” And each one has a name. In LARGO, we meet just one: Musa, a young Syrian boy living in the UK, who, against all odds and all the impossible rules of the adult world, sets out to build…
Freddie Fox Returns Behind the Camera with “The Painting & The Statue” – Exclusive Interview
Freddie Fox has been a compelling figure in theatre, TV, and film for years. He’s well-known for roles in White House Farm, The Crown, Slow Horses, Year of the Rabbit, Pride, and The Great, and was recently seen as Loki in Netflix’s The Sandman. While many may know him for his chameleonic performances, Fox is…
In Conversation with Yang Hee-kyung of “The Land of Morning Calm”
Yang Hee-kyung is a celebrated South Korean actress who began her career in theatre before expanding into television and film. She earned early acclaim with a Best Actress win at the 19th Seoul Theater Festival in 1995. Known for her natural charisma, Yang consistently delivers powerful performances, and her role in The Land of Morning…
27th Far East Film Festival: In Conversation with Jo Seon-ho and Kim Jae-joong, Director and Producer Respectively of “Hear Me: Our Summer”
The industry has needed a proper feel-good flick for a long time. Not just the bittersweet, but the genuine, wholeheartedness of a story designed to relight some hope in humanity. The Taiwanese hit romance Hear Me did this over a decade ago, and recently got its much-anticipated Korean redo. After its Italian premiere at the…
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