What drives a person to lie in the name of faith – or to believe in something that can’t be proven? In The Stone, a directorial debut from Thai artists Arak Amornsupasiri and Vuthipong Sukhanindr, such questions take center stage. Known for their work in acting, music, and design, the duo steps confidently behind the…
Tag: movie-review
27th Far East Film Festival: “Dark Nuns” Review
What is the cardinal rule of any horror film? That it needs to be scary, of course. Unfortunately, exorcist drama Dark Nuns seems to have forgotten that. Directed by Kwon Hyuk-jae and a spin-off to The Priests, Dark Nuns follows Sister Giunia (Song Hye-kyo), an unordained nun who moonlights as an exorcist. She is one…
75th Berlin International Film Festival: In Conversation with Sarah Miro Fischer, Director of “The Good Sister”
Sarah Miro Fischer began her film studies at the Escuela Nacional de Cine in Bogotá before returning to Germany, where she gained experience in script development, set management, and as a 2nd AD. Since 2018, she has been studying at the German Film and Television Academy Berlin, developing her craft through various projects as a…
Eight Stories, Endless Nightmares: Inside Thai’s “Terror Tuesday: The Extreme” – TV Show Review Part Two
And here is our part two… Dear Granny Unlike the others, this episode’s opening feels particularly refreshing. It begins with Montha (Bee Namthip Jongrachatawiboon) taking a tranquil walk by a lake with her mother. The scene is relaxing, almost lulling viewers into a false sense of security, as they stroll under a crisp blue sky…
“NIGIQTUQ ᓂᒋᖅᑐᖅ (The South Wind)” Review
Lindsay McIntyre’s NIGIQTUQ ᓂᒋᖅᑐᖅ (The South Wind) is a heartfelt exploration of identity, cultural displacement, and survival. Based on the director’s grandmother’s story, this moving short film brings viewers to 1938, where young Marguerite and her mother Kumaa’naaq (koo-MAT-na) leave their Inuit homeland in Nunavut to build a new life in the South. This transition…
19th London Korean Film Festival: In Conversation with Kim Hye-young, Director of “It’s Okay!”
With the 19th London Korean Film Festival on the horizon, audiences will be able to experience many wonderful films, and one of those films is It’s Okay! (Also known as It’s Okay It’s Okay It’s Okay! – 괜찮아 괜찮아 괜찮아!), a tender coming-of-age story that presents Kim Hye-young’s impressive directorial debut. First premiering internationally on…
9th London East Asia Film Festival: “Locust” Review
Every generation has its angry young men, rebelling against the cultural conformity of the era. From James Dean in Rebel Without a Cause and Marlon Brando in The Wild One pushing back against the stifling conservatism of the Eisenhower age, to the various turn-of-the-century studies of disaffected adults stilted by middle-class life, these are snapshots…
Um Tae Goo: Finding Depth in Every Role – Exclusive Interview
To be an actor is to walk a fine line between reality and illusion, between self and character, and nowhere is this delicate dance more visible than in roles that challenge and stretch the frame of identity. The beauty of acting lies in the ability to entertain and in the subtle journey of transformation –…
74th Berlin International Film Festival: “REAS” Review
As we plough through this cursed era of remakes and unnecessary sequels, any film or TV series that features a brand new story is a blessing – and there’s nothing more original than real life. Lola Arias directs Argentinian self-proclaimed hybrid musical REAS, which sources its material from the charming inmates of Ezeiza prison a…
VIEW OF THE ARTS 