30th Busan International Film Festival: “Shape of Momo” Review

Shown at this year’s Busan International Film Festival, Tribeny Rai’s debut feature, Shape of Momo, is a wonderful piece of writing. A powerful film that listens closely to the hidden struggles of women living within the limits of tradition. The narrative centres on Bishnu, a 32-year-old who abandons her city job and returns to her…

30th Busan International Film Festival: “Dear Stranger” Review

Tetsuya Mariko’s Dear Stranger begins not with the disappearance of a child, but with the erosion of a marriage. Kenji (Hidetoshi Nishijima: Drive My Car, Serpent’s Path), a Japanese architecture professor in New York, and Jane (Gwei Lun-Mei: The Wild Goose Lake), a Taiwanese-American puppeteer who has put her art aside to raise their young…

30th Busan International Film Festival: “Hana Korea” Review

For many North Korean defectors, crossing the border is not the end of a story but the start of another kind of struggle. Frederik Sølberg’s Hana Korea, co-written with Sharon Choi, goes straight into that fraught second chapter. The film is a great story of adaptation and loss: how the comforts of a new country…

BFI London Film Festival 2025: A Strong Year for Asian Cinema

The 2025 BFI London Film Festival has announced a particularly rich programme, one that emphasising its role as a global event for daring, ambitious as well as diverse cinema. Among the many highlights, Park Chan-wook’s No Other Choice is probably one of the year’s most anticipated Gala selections. The darkly comic thriller follows a desperate…

Wonho Wows London Fans: Highlights from His “STAY AWAKE” Tour

And it happened again! Wonho returned to London, performing at Shepherd’s Bush Empire as part of his STAY AWAKE world tour, to his most loyal fans. Armed with four dancers and a simple VCR screen as his backdrop, he once again favoured minimal staging over the elaborate productions embraced by many K-pop soloists. While some…