An Escapade of Wistful Souls: “Camper” Review

Polish film is often some flavour of extreme. It’s brought us revered historical retellings, adored comedies, and sometimes just the deep-red scandalous. But it’s also brought us the beautiful gems missed by those who don’t dare step foot into the broad, imaginative world that is non-English cinema. Katyń (2007), The Peasants (2023), and The Hater…

65th BFI London Film Festival: “Leave No Traces” Review

When WWII ended, Poland was thrown into another brutal fight, this time not against Nazis, but against communism, which took over the country from 1947 until 1989. While the 1950s, 60s, and 70s were unsettling, it was the 1980s that many consider to be the most significant time in the lives of Poles. Martial Law…

“Sweat” Review

Social media has been prevalent in our lives for more than a decade, although it feels like filmmakers are only now getting the hang of telling stories about how we exist online without succumbing to cheap moralising. This may be because a new wave of filmmakers who actively use and understand different social media platforms…

71st Cannes Film Festival: Fugue Review

Agnieszka Smoczynska has already made her mark with her feature debut The Lure, which was awarded with the Golden Lion for the best debut in her native country, Poland. On top of that, the film was recognized overseas and received the Special Jury Prize for “a unique artistic vision and design” at the 2016 Sundance Film…

The 59th London Film Festival: In Conversation with Jerzy Skolimowski

  Jerzy Skolimowski, born in 1938, is a Polish film director, screenwriter and actor, who is also a painter and a poet. He spent his childhood and teenage years in Prague, where he befriended future filmmaker Milos Forman and Vaclav Havel, a writer, philosopher and politician. He returned to Poland to study Polish Literature and…

The 57th BFI London Film Festival: Ida

Born in Poland, Pawel Pawlikoski (My Summer of Love, The Woman in the Fifth) has come back to his native country after years of voluntary emigration and has immediately presented us with an intimate black and white drama Ida, which takes place at the beginning of 1960s. Anna, also known as Ida (Agata Trzebuchowska’s film…