82nd Venice Film Festival: “The Sun Rises on All of Us” Review

One of the benefits of seeing films at their very earliest screenings, before they’ve even been unveiled to the world at a splashy festival premiere, is being able to experience them truly blind. In the case of The Sun Rises On Us All, the latest film from Chinese auteur Cai Shangjun, which just premiered in…

Herman Yau on His Latest Work, “Customs Frontline”, and Filmmaking

Herman Yau’s latest film, Customs Frontline, premiered globally at the FEFF 26 in Udine this past May and is set for its Asian premiere in Hong Kong this July. A maverick director known for his prolific output, Yau was born in China in 1961 and studied Film at Hong Kong Baptist University. Over a remarkable…

26th Far East Film Festival: In Conversation with Zhang Yudi, Director of “The Midsummer’s Voice” – Exclusive Interview

Peking Opera, a revered Chinese art form blending centuries-old traditions, faces challenges in modern times, struggling to engage the younger generation. Despite government support and international interest, efforts to modernise it and attract younger viewers have shown mixed results. However, Zhang Yudi’s film The Midsummer’s Voice offers a fresh perspective, focusing on the struggles of…

26th Far East Film Festival: “The Midsummer’s Voice” Review

Peking Opera is a Chinese art form with a rich history spanning over hundreds of years. Drawing inspiration from diverse sources including the music and dance traditions of the Han Dynasty (206 BC-220 AD), the performing arts of the Tang Dynasty (618-907), the Southern Opera during the Song Dynasty (960-1279), and the Kunqu Opera in…