One wonders what the title As the Water Flows truly means – at least until the film’s final moments, when its philosophy finally surfaces. Water moves forward, never looking back, yet somehow it reflects everything it passes. Life, Bian Zhuo seems to say, is much the same: a continuous current defined by the memories we…
Category: Chinese Cinema
69th BFI London Film Festival: In Conversation with Calif Chong, Isabella Wei and Matthew P. Scott of “High Wire”
Hong Kong director Calif Chong’s debut feature, High Wire, makes a striking entrance, a film that is at once humorous, compelling, and real. Best known for her acclaimed 2019 short Underneath, Chong ventures into feature territory with a story that examines the delicate balance of duty and desire, the weight of parental expectation, and the…
69th BFI London Film Festival: “Island of the Winds” Review
Hsu Ya-Ting’s Island of the Winds is a heart-rending documentary that immerses the viewer in the often-overlooked lives of the elderly residents of Lesheng Sanatorium, a former leper colony on the outskirts of Taipei. From the very first moments, the film builds an intimate closeness to its subjects, allowing their memories and struggles to surface…
Alula Film Festival 2025 Announces Full Lineup, Returning to Los Angeles to Celebrate Independent Chinese-Language Cinema
The Alula Film Festival has unveiled the complete lineup for its 2025 edition, set to take place from October 16 to 19 at The Culver City Theaters in Los Angeles. Dedicated to independent, arthouse, and auteur-driven works, Alula continues to serve as a vital platform for bold and original Chinese-language cinema. Formerly known as the…
Jia Zhangke and the Pingyao International Film Festival
Jia Zhangke is a name inseparable from contemporary cinema, especially this year. Over the past few months, he has appeared at major festivals worldwide, championing cross-cultural exchange: first the Taipei Film Festival in June, then Venice in August, Busan in mid-September, and finally his own Pingyao International Film Festival (PYIFF) at the end of the…
82nd Venice Film Festival: “Girl” Review
Girl was the directorial debut of SHU Qi. It was undoubtedly one of the most anticipated films at the 82nd Venice Film Festival. Girl marked SHU Qi’s first step into directing. It captured immense attention at the event. SHU Qi is a regular presence at Cannes, Berlinale, and the Venice Film Festival. Her first arrival…
82nd Venice Film Festival: “The Sun Rises on All of Us” Review
One of the benefits of seeing films at their very earliest screenings, before they’ve even been unveiled to the world at a splashy festival premiere, is being able to experience them truly blind. In the case of The Sun Rises On Us All, the latest film from Chinese auteur Cai Shangjun, which just premiered in…
27th Udine Far East Film Festival: “Legends of the Condor Heroes: The Gallants” Review
Two legends of Chinese cinema gracing the stage are enough to get anyone buzzing for the show to come, and Tsui’s adaptation film, Legends of the Condor Heroes: The Gallants, was no less anticipated than his other fantastical masterpieces. Before the film’s international festival premiere at the 27th Udine Far East Film Festival, legendary wuxia…
Wang Bing’s “Youth” Trilogy: Voices from China’s Hidden Factories – Film Review
The history of cinema, in many ways, began in the factory – its first frames capturing the daily lives of male and female workers as they filed out of the Lumière factory in Lyon in 1895. This simple, silent image marked the inception of the filmic medium, recording not just the physical movement of workers,…
Inside China: How Two Emerging Talents Are Getting Their Movies Made – Interview with Lu Dan and Fan Zhang
Lu Dan says she entered the film industry to find an outlet for her emotions, and the Chinese filmmaker’s debut feature certainly feels deeply personal. The director was born in the northwest Chinese province of Xinjiang, and in The Absent, she returns there to explore notions of family and home. “I like to tell stories…
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