It seems nearly impossible for a director from the West to shoot Tokyo from anything other than a tourist’s perspective. Sofia Coppola’s Lost in Translation and Gaspar Noé’s Enter the Void are seen as the two biggest offenders in this regard, with the Japan Times review of the latter opening with the pithy claim that:…
Category: Japanese Cinema
“Evil Does Not Exist” Review
The final moments of Evil Does Not Exist have proven divisive, but you won’t be able to successfully argue that Ryusuke Hamaguchi hasn’t tried to prepare you for them. From the opening moments to his latest effort, a prize winner at the recent Venice and London film festivals, it feels like the director is consciously…
“December”: Crime, Redemption, and Second Chances – In Conversation with Shogen, Ryo Matsuura, and Film’s Producer, Mina Moteki
December, directed by Anshul Chauhan, is a powerful drama that, hypothetically, delves into the Japanese justice system while exploring the possibilities of offering a second chance to criminals. It does so through the story of prisoner Kana (Ryo Matsuura), a young woman who killed her classmate a decade earlier and whose case is being brought…
Keishi Otomo on Capturing the Samurai Spirit in “The Legend & Butterfly”
Keishi Otomo is no stranger to making Jidaigeki, Japanese period dramas. He has directed many in his prolific career, though he is probably best known for the “Rurouni Kenshin” live-action films. The franchise adapts Nobuhiro Watsuki’s classic manga of the same name across five films: “Rurouni Kenshin”, “Kyoto Inferno”, “The Legend Ends”, “The Final” and…
25th Far East Film Festival: “The Legend & Butterfly” Review
Oda Nobunaga, Japan’s first “great unifier”, has been depicted on screen countless times. Depending on the angle of the narrative the daimyo can either be seen as a hero or villain; romantic lead or malevolent foe; the Fool of Owari or the Demon King. Often his part in unifying the country during the Sengoku period…
25th Far East Film Festival: “December” Review
If your daughter’s killer had the opportunity to start again, would she, to your mind, be deserving of that second chance? That is the question at the heart of December, a Japanese court drama helmed by Indian filmmaker Anshul Chauhan. Crime, punishment, and the rehabilitation of criminals are topics that are debated all around the…
In Conversation with Ryutaro Nakagawa, Director of “One Day, You Will Reach the Sea”
Ryutaro Nakagawa sits with his hands clasped together, listening intently and speaking passionately with View of the Arts ahead of the international premiere of his film: One Day, You Will Reach the Sea. The drama, which is based on Maru Ayase’s novel of the same name, focuses on themes that Nakagawa has wanted to explore…
24th Udine Far East Film Festival: “One Day You Will Reach the Sea” Review
Mana Kotani’s (Yukino Kishii) world is turned upside down the moment she learned that her best friend, and first love, Sumire Utsuki (Minami Hamabe) has died. The bright and bubbly woman she met on her first day of college has gone, there one moment and gone the next. It takes everything she has to keep…
22nd Udine Far East Film Festival: Dance with Me Review
Shizuka Suzuki (Ayaka Miyoshi) hates musicals, or at least that’s what she claims after a traumatic incident from her childhood leads her to despise the stage. So, when she decides to take her niece to visit a fair in the park and magician Machin Ueda (Akira Takarada) hypnotises her into turning all life situations into…
To Celebrate the Release of Takashi Miike’s ‘First Love’, Here are Takashi Miike’s Top 5 Yakuza Films
Super-entertaining Takashi Miike crime thriller First Love is a Tarantino-beating bonanza that opens with a decapitated head rolling into the frame and doesn’t let up for 108 minutes. The Yakuza genre is one Miike delved into early on in his career with great success, and now he’s jumped back into the world of Tokyo gangsters in…
VIEW OF THE ARTS 