66th BFI London Film Festival: “The Woman in the White Car” Review

In a small Korean town, a police officer, Kim Hyun-ju (Lee Jeong-eun: Parasite, Hommage), alongside her partner, are called to a hospital to check on two sisters with one being severely injured and unconscious. We quickly learn that one of the siblings is called Do-kyung (Jung Ryeowon: Castaway on the Moon, Wok of Love, Gate),…

66th BFI London Film Festival: “Decision to Leave” Review

It may not seem like it at first glance, but Park Chan-wook’s films are those of a distinctly romantic disposition. His narratives typically explore the tension that arises when erotic and emotional idealism meets cold, hard reality; in his films, the only happy romances can be found in either the dispassionate confines of a mental…

“The Roundup” Review

When The Outlaws, written and directed by Kang Yoon-sung, came out in 2017, the film became the third highest-grossing film of that year in South Korea. The production had enough thrills and suspense to satisfy even the most jaded sensation-seekers. It took a few years before the second instalment, The Roundup, was released onto the…

“Perhaps Love” Review

Do not be fooled by the title: Perhaps Love is not your typical rom-com. In fact, it is not a rom-com at all. This emotionally honest, amusing screwball comedy offers us different angles on what love is and what it can be, more in line with the Greek differentiations of the concept. The most interesting…

Netflix’s “Carter” Review

Playing a video game is fun, but watching someone else play one can become tiresome pretty quickly. This is the most rational explanation as to why any action film that aims to mimic the medium’s aesthetic, be it 2015’s Hardcore Henry or the collected oeuvre of Neveldine and Taylor, will become exhausting by the end…

“Yaksha: Ruthless Operations” Review

On paper, it sounds like a recipe for a formulaic crime caper. One lawmaker who has always followed the rules and played everything by the book is forced by circumstance to team up with a maverick who will happily ignore standard procedure if it means getting results. It’s no surprise that, over the course of…

24th Udine Far East Film Festival: “Tomb of the River” Review

The fact that in recent years it has been difficult to find a true representation of the noir genre shows that there are still opportunities out there for filmmakers to bring it back to life. In 2021, however, Yoon Young-bin, an emerging South Korean filmmaker, grabbed that chance by domestically releasing Tomb of the River,…

24th Udine Far East Film Festival: “Hostage: Missing Celebrity” Review

Breaking news! Hwang Jung-min, Korea’s top star, has been kidnapped by a gang of thugs and taken to a remote location. Well, not really, but that’s the concept of Pil Gam-sung’s action-thriller Hostage: Missing Celebrity. As per the previous (joke) announcement, Hostage: Missing Celebrity is what you probably expect it to be about: It follows…

24th Udine Far East Film Festival: “Special Delivery” Review

Sometimes, when you have seen too many dramas, you just wish to chill out while watching a good action film. And Special Delivery, written and directed by Park Dae-min, is one of those films.  Eun-ha (Park So-dam: Parasite) is a delivery driver who asks no questions. She works for Baek Sa-jang (Kim Eui-sung: Taxi Driver),…

“Aloners” Review

There’s nothing groundbreaking in the idea that, rather than bringing us closer together, technology has left us more divided and isolated than ever before. There have been several films in recent years that have criticised the dehumanisation of the digital age, and almost all of them have invited immediate parody (most notably, Jason Reitman’s Men,…