Andrew Ahn’s The Wedding Banquet revitalises Ang Lee’s 1993 classic, bringing a contemporary lens to themes of love, the weight of tradition, the complexities of identity, and societal expectations. While the original film followed a dutiful Taiwanese son confronting the pressures of tradition, Ahn’s version expands the narrative, introducing new characters and conflicts that reflect…
Category: Asian Cinema
39th BFI Flare: London LGBTQIA+ Film Festival: In Conversation with Kim Si-a – Exclusive Interview
At just 16, Kim Si-a proved she is a truly talented young actress with her superb performance in Summer’s Camera, directed by Divine Sung. She beautifully portrayed the emotions of a teenager experiencing grief and self-discovery through her first love. After the world premiere at the 39th BFI Flare: London LGBTQIA+ Film Festival, we sat…
39th BFI Flare: London LGBTQIA+ Film Festival: In Conversation with Divine Sung, Director of “Summer’s Camera” – Exclusive Interview
Divine Sung is a filmmaker based in Seoul with an MFA in Film Directing from the Korea National University of Arts. She has directed short films such as True Story (2018) and My Boyfriend and Our Yesterday (2023). Summer’s Camera is her feature film debut. Summer’s Camera had its world premiere at the 39th BFI…
39th BFI FLARE: London LGBTQIA+ Film Festival: “After the Snowmelt” Review
Taiwanese-born director Yi-Shan Lo’s latest documentary, After the Snowmelt (2024), which premiered at the 2024 Visions du Réel festival in the Burning Lights Competition, and was also shown at this year’s BFI Flare: London LGBTQIA+ Film Festival, is an emotional and visually striking exploration of grief, survival, and identity. After the Snowmelt challenges traditional storytelling…
39th BFI Flare: London LGBTQIA+ Film Festival – “Summer’ Camera” Review
Having its world premiere at this year’s BFI Flare: London LGBTQIA+ Film Festival, Summer’s Camera is the feature directorial debut of Divine Sung, a South Korean filmmaker. The film depicts a wonderful and subtle exploration of youth and love. It also captures the theme of self-discovery while painting a portrait of a high school student,…
39th BFI Flare: London LGBTQIA+ Film Festival: “Manok” Review
Every metal guitar wants a powerful amplifier. Yang Mal-bok is delightfully animated in Lee Yu-jin’s Manok, a film where zest is absolutely mandatory. Shortly after the first frame’s bright rainbow flag passes us by, we meet the titular Manok, a lively and impulsive bar owner who hosts LGBTQIA+ parade parties in Seoul. In a bold…
39th BFI Flare: London LGBTQIA+ Film Festival – “Việt and Nam” Review
If you’re a Vietnamese filmmaker, presenting a story to the world about two star-crossed lovers nicknamed Viet and Nam is all but asking the audience to interpret the trajectory of their relationship as a metaphor for the nation itself. The third film from writer/director Truong Minh Quy attempts to avoid this straightforward categorization due to…
39th BFI Flare: London LGBTQIA+ Film Festival – In Conversation with Minh Quý Trương, Director of “Việt and Nam”
Minh Quý Trương, a filmmaker from Buôn Ma Thuột, Vietnam, began his artistic journey by attending film school but dropped out in 2008 to pursue independent filmmaking. His early exposure to cinema led him to participate in the Asian Film Academy and the Berlinale Talents program, which enhanced his passion for storytelling and filmmaking. Trương’s…
39th BFI Flare: London LGBTQIA+ Film Festival – “Some Nights I Feel Like Walking” Review
Petersen Vargas draws us into a night of endless possibility in Some Nights I Feel Like Walking, a sensory experience set in the beating heart of Manila. Vibrant lights and a subtly hypnotic ambience immerse us into the thrilling hustle life of four boys, which is slowly unpeeled to its merciless core. We never see…
75th Berlin International Film Festival: In Conversation with Rima Das, Director of “Village Rockstars 2”
Seven years after Village Rockstars (2017), filmmaker Rima Das returns to Kalardiya with Village Rockstars 2, continuing Dhunu’s (Bhanita Das) story as she faces the challenges of adulthood in her small Assamese village. Once a dreamer with ambitions of rock stardom, 17-year-old Dhunu now faces economic hardships, family responsibilities, and the weight of her mother’s…
75th Berlin International Film Festival – “Village Rockstars 2” Review
Seven years after the release of the critically acclaimed Village Rockstars (2017), filmmaker Rima Das revisits the vivid terrain of Kalardiya to continue the subtle narrative of Dhunu (Bhanita Das). Now on the cusp of adulthood, 17-year-old Dhunu confronts the complex realities of life in her small Assamese village, a world shaped by cyclical floods,…
“Cottontail” Review: A Masterful Directorial Debut
The recently bereaved Kenzaburo (Lily Franky), travels to the UK in order to scatter his late wife’s ashes in Lake Windermere accompanied by his son, Toshi (Ryo Nishikido), his wife, Satsuki (Rin Takanashi) and their daughter. Once in London, the fractious relationship between father and son intensifies leading to Kenzaburo deciding to fulfill his wife’s…
Cinema and Myth: Riar Rizaldi Discusses “Monisme” and the Enigma of Mount Merapi – Exclusive Interview
Indonesian multimedia artist and filmmaker Riar Rizaldi, known for his blend of documentary fiction and essay films, has recently completed his latest work, Monisme (2024). The film delves into themes of duality—human and non-human, nature and technology—while questioning their interconnectedness. Born from years of extensive research on Mount Merapi, one of Indonesia’s most significant volcanoes,…
Takeuchi Hideki Returns to the Far East Film Festival
Historically, cinema has predominantly engaged with the human body through the lens of science fiction, often depicting miniature characters – reduced to the size of ants – who embark on fantastical journeys within our physical form, confronting its mysteries and the limited special effects technology of bygone eras. Iconic films like Richard Fleischer’s Fantastic Voyage,…
