There hasn’t been a single moment when I was left disappointed by Lee Joon-ik’s work; every one of his films is truly exceptional. Well-known for his period drama films and still associated with his 2005 King and The Clown – which brought him an international recognition – Lee Joon-ik cleverly balances historical events with a real…
Category: Asian Cinema
In Conversation with Rosalina Leigh
Rosalina Leigh is an ambitious young actress who gained recognition among the indie film goers with her role in Benson Lee’s Seoul Searching. Since this was her first acting role, this must have been a nerve-wrecking experience for Rosalina. Prior to filming, she recorded a casting YouTube video – it was seen by Benson Lee, who later…
In Conversation with Baek Jae-ho
Before embarking on a career as a director, Baek Jae-ho performed as an actor in 17 films. In addition to acting and directing, he now works as a producer, cinematographer and screenwriter; in this respect, Baek Jae-ho is like Bob the Builder of Korean cinema. His recent project and directorial debut, We Will Be Ok, was…
In Conversation with Benson Lee, director of ‘Seoul Searching’
Benson K. Lee is an award-wining filmmaker whose directorial debut, Miss Monday, was invited to be a part of the Dramatic Competition at the Sundance Film Festival in 1998. The film went on to win a Special Grand Jury Prize for Best Actor: Andrea Hart. A decade later, Lee made his first documentary, Planet B- Boy,…
Benson Lee’s Seoul Searching
“It took me sixteen years to make Seoul Searching and bring it onto the big screen,” Benson Lee admits in the interview for View of the Arts. Seoul Searching, based on the filmmaker’s personal experiences, is an endearing youth comedy which depicts foreign-born teenagers of Korean ancestry learning what it means to be Korean, and…
In Conversation with Teo Yoo
Teo Yoo, born and raised in Germany, left for New York City at the age of 20, to study acting at the prestigious Lee Strasberg Theatre and Film Institute, a school known for its notable alumni such as Christoph Waltz, Bridget Fonda and Uma Thurman. After New York, he travelled to London where he took on an intensive course…
Min Kyu Dong’s The Treacherous
I have honestly lost count of how many period films, set in the Joseon Dynasty, have been made in Korea. It seems like this particular kingdom, which was founded by Yi Seong-gye in 1392, has left a significant legacy for modern Korea; not only when it comes to societal norms, attitudes and language, but it…
Memories of the Sword Review
It has been two years since Lee Byung- hun showed his acting talents off in a Korean production. He was recently seen in American films such as Terminator Genisys, RED 2 and G.I. Joe Retaliation, and has two English speaking movies in the pipeline: Misconduct, alongside Al Pacino and Anthony Hopkins, and Magnificent Seven, a remake of…
The 59th London Film Festival: In Conversation with Choi Dong-hoon, director of ‘Assassination’
Choi Dong-hoon, a South Korean director, began his voyage into filmmaking in 2004 when he released The Big Swing, a crime thriller, which brought him instantaneous praise from domestic and foreign critics. A couple of years later, Choi Dong-hoon repeated his previous success with another interesting production, Tazza: The High Rollers, an adaptation of Huh Young-man and…
The 10th London Korean Film Festival: We Will Be Ok Review
Would You Rather Die than Lead an Ordinary Life? It happens, every once upon a film festival moon. Those of you who have visited a film festival or two – especially if you were there as press – know what the usual rhythm is like. You dig and tread and boot and occasionally half-sleep your…
VIEW OF THE ARTS 