Born in Tokyo in 1981, filmmaker Tetsuya Mariko began his creative journey making short films while studying at Hosei University. Early works such as The Far East Apartment (2003) and Mariko’s 30 Pirates (2004) earned him early awards, with the latter winning the Grand Prix at the Yubari International Fantastic Film Festival. His debut feature,…
Category: BIFF Busan International Film Festival
Busan International Film Festival
30th Busan International Film Festival: “I Only Rest in the Storm” Review
Pedro Pinho’s I Only Rest in the Storm is a hypnotic and textured look at power, identity, and longing, set in a tense West African city. The film follows Sergio, an environmental engineer working on a controversial road between the desert and the forest, as it explores the tangled realities of neo-colonialism, expat privilege, and relationships in…
30th Busan International Film Festival: “Shape of Momo” Review
Shown at this year’s Busan International Film Festival, Tribeny Rai’s debut feature, Shape of Momo, is a wonderful piece of writing. A powerful film that listens closely to the hidden struggles of women living within the limits of tradition. The narrative centres on Bishnu, a 32-year-old who abandons her city job and returns to her…
Sylvia CHANG Receives BIFF x CHANEL 2025 Camellia Award at the 30th Busan International Film Festival
Taiwanese filmmaker Sylvia Chang has been awarded the 2025 Camellia Award for her groundbreaking contributions across generations and roles, paving the way for Asian women in cinema. The Camellia Award, presented by CHANEL in partnership with the Busan International Film Festival, honors women whose cultural and artistic impact shapes the film industry. At the 30th…
30th Busan International Film Festival: “Dear Stranger” Review
Tetsuya Mariko’s Dear Stranger begins not with the disappearance of a child, but with the erosion of a marriage. Kenji (Hidetoshi Nishijima: Drive My Car, Serpent’s Path), a Japanese architecture professor in New York, and Jane (Gwei Lun-Mei: The Wild Goose Lake), a Taiwanese-American puppeteer who has put her art aside to raise their young…
European Women Filmmakers Take Stage at the 30th Busan International Film Festival
European Film Promotion (EFP), a consortium of 37 national film organizations, is devoted to bringing the richness of European cinema and its creators to the attention of the international film industry and press. This year in Busan, EFP will back 69 European titles invited to the festival, alongside the participation of 19 global distributors connected…
30th Busan International Film Festival: Special Program in Focus – Defining Moments of Asian Cinema
Marking its 30th milestone, the Busan International Film Festival (BIFF) presents the third edition of Asian Cinema 100 under the theme Defining Moments of Asian Cinema. Curated in collaboration with the Pusan National University Film Institute and the Korean Film Archive, the program revisits the artistry and history of Asian filmmaking through landmark works, each…
Park Chan-wook Returns with “No Other Choice”, Opening the 30th Busan International Film Festival
Three years after his critically acclaimed Decision to Leave (2022), director Park Chan-wook makes a powerful return to the screen with No Other Choice, a gripping drama centered on a man’s desperate fight to protect everything he holds dear. The story follows Man-su (Lee Byung Hun), a once-proud man whose stable life is suddenly upended…
The 29th BIFF Unveils “New Currents” & “Jiseok” Selections
The 29th Busan International Film Festival, running from October 2nd to October 11th, has announced its selections for the prestigious Asian film competition sections, “New Currents” and “Jiseok”. 10 Films, 10 Unique Visions: The Future of Asian Cinema New Currents is the flagship competition section of the Busan International Film Festival, spotlighting the first or…
The 29th BIFF announces Special Program in Focus “Teen Spirit, Teen Movie”
Compilation of the Best Asian Coming-of-Age Stories Garnering Global Attention in 2024 This program brings together films that have been acclaimed at major international film festivals over the past two years, highlighting the growing global interest in Asian coming-of-age stories. Notable films in the lineup include Tiger Stripes (2023), winner of the Grand Prix Prize…
The 29th BIFF Announces Selections for ‘Korean Cinema Today – “Special Premiere” & “On Screen”
The 29th Busan International Film Festival (BIFF) has announced its lineup for the ‘Korean Cinema Today – Special Premiere’ section, featuring five films, and the ‘On Screen’ section, which includes six drama series. The ‘Korean Cinema Today – Special Premiere’ section highlights and debuts the newest and most significant contemporary Korean commercial films, recognized for…
“Cobweb” Review
The 1970s were a particularly dark period for the Korean film industry. Shortly after South Korean filmmakers began to gain international recognition in the decade prior, a period of intense censorship followed, which hit an authoritarian peak in the seventies – at the time, many speculated there was no country in the world whose government…
Asian Contents & Film Market 2020 Announces the Winners of Asia Contents Awards
On October 25th (Sun), the Asian Contents & Film Market announced the winners of the 2nd Asia Contents Awards online. The Asia Contents Awards recognizes outstanding TV and OTT dramas across Asia. 10 Awards categories are: Best Creative, Best Asian Drama, Best Actress, Best Actor, Best Writer, Newcomer, Technical Achievement Award, Best Rising Star,…
25th Busan International Film Festival Announces the Kim Jiseok Award Jurors
Three Jurors to Discover Talented Directors to Lead the Asian Film Industry The Kim Jiseok Award was established in 2017 to honor the late Kim Jiseok, who devotes his life to discovering new Asian directors and supporting the growth of the Asian film industry. Two films will be selected from A Window on Asian Cinema…
VIEW OF THE ARTS 