Ascension Island is an isolated volcanic atoll, located 7°56′ south of the Equator in the Atlantic Ocean. Charles Darwin visited this lonely archipelago in 1836 aboard HMS Beagle as a part of his second survey expedition of the world, during which he gathered data that aided him in the development of the theory of evolution…
Category: London Film Festival
20th Udine Far East Film Festival: Be With You Review
The novels of Takuji Ichikawa are well known to numerous book lovers. His bestselling works have been adapted for the Japanese silver screen a couple of times; Be With You in 2004 by Nobuhiro Doi, and Heavenly Forest in 2006 by Takehiko Shinjo. The film adaptation of Be With You became a huge commercial success with its imaginative, beautiful and emotional love story…
The 61st BFI London Film Festival: In Conversation with Hugh Welchman, Director of ‘Loving Vincent’
Hugh Welchman, an Oxford University graduate in Philosophy, Politics and Economy, has always had his eyes on film-making. Subsequently, he worked hard by doing almost everything, from teaching history to selling fish, just to support himself while working on film corporates in London. After a few calamitous encounters, Hugh came to a decision that training at…
The 60th BFI London Film Festival: Creepy Review
Kiyoshi Kurosawa – a Japanese horror maestro – attracted critics’ attention with his 1997 Cure, a horror film in the purest sense of the word, with an ability to unsettle the audience that was a second to none; Cure also got recognition from various international film festivals and has become one of the most haunting Japanese motion…
The 59th London Film Festival: In Conversation with Choi Dong-hoon, director of ‘Assassination’
Choi Dong-hoon, a South Korean director, began his voyage into filmmaking in 2004 when he released The Big Swing, a crime thriller, which brought him instantaneous praise from domestic and foreign critics. A couple of years later, Choi Dong-hoon repeated his previous success with another interesting production, Tazza: The High Rollers, an adaptation of Huh Young-man and…
The 59th London Film Festival: Assassination
A genius storyteller for his spectacular ability to develop elaborate stories, someone once said about Choi Dong-hoon, one of the most successful South Korean film directors in modern Korean cinema. All his five productions, The Big Swindle (2004), Tazza: The High Roller (2006), Jeon Woo-chi: The Taoist Wizard (2009), The Thieves (2012) and his latest hit Assassination…
The 59th London Film Festival: In Conversation with Jerzy Skolimowski
Jerzy Skolimowski, born in 1938, is a Polish film director, screenwriter and actor, who is also a painter and a poet. He spent his childhood and teenage years in Prague, where he befriended future filmmaker Milos Forman and Vaclav Havel, a writer, philosopher and politician. He returned to Poland to study Polish Literature and…
The 59th BFI London Film Festival: 11 Minutes
After a 5 year hiatus, Jerzy Skolimowski has finally released his new film entitled 11 Minutes. The apocalyptic thriller has already received positive reviews at this year’s Venice International Film Festival, where it was nominated to Golden Lion in the main competition section. It was also screened in the Masters section of the 2015 Toronto…
The 59th BFI London Film Festival: He Named Me Malala
He Named Me Malala is a documentary directed by Davis Guggenheim, an American filmmaker whose films, An Inconvenient Truth, It Might Get Loud and Waiting for ‘Superman’, have been in the top 100 highest-grossing documentaries since 2009. Guggenheim’s film tells the story of Malala Yousafazai, a young Pakistani girl who advocates for girls’ education and human rights….
The 58th BFI London Film Festival: Rosewater Review
The 2009 Iranian elections saw a controversial win by leader Mahmoud Ahmadinejad over public favourite Mir-Hossein Mousavi which sparked protests in the streets of Iran. Working on behalf of Newsweek, Maziar Bahari travelled to Iran to report on the elections and was soon swept up in the turmoil. After filming and showing the horrors of…
The 58th BFI London Film Festival: The World of Kanako Review
“Why is everyone so obsessed with Kanako?” One character asks under duress to Kanako’s latest victim, Boku, who is desperately seeking the truth about her. Where she is? Why she is? How she is? What is she? Kanako. Kanako. Ka-na-ko. Perhaps it’s fitting then, that The World of Kanako is all about its eponymous character…
The 58th BFI London Film Festival: Silvered Water, Syria Self Portrait Review
“This is the film made of 1001 images shot by 1001 Syrian men and women and I”– Ossama Mohammed Silvered Water, Syria Self Portrait is a film by a Syrian filmmaker Ossama Mohammed, who is now living in Paris as a political refugee with his wife, and a Kurdish activist, Simav Bedirxan, who shot…
The 58th BFI London Film Festival: Hill of Freedom Review
For a film that was selected for the laugh category at this year’s BFI London Film Festival, the least you’d expect is Hill of Freedom to be funny. Instead Hong Sang-soo’s film is poorly paced with little acting or directorial merit to speak of. The film follows Mori, a Japanese man searching for his…
Ilo Ilo Review
Set in Singapore, during the Great Asian Financial Crisis, Ilo Ilo, written and directed by Anthony Chen, tells the story of a relationship between a family of three: Teck (Tian Wen Chen), Hwee (Yann Yann Ye) and Jiale (Koh Jia Ler) and their Filipino maid, Teresa (striking and moving performance by Angeli Bayani) who has…
VIEW OF THE ARTS 