Warning: Spoilers ahead. Just off the coast of Panama, in the indigenous Guna Yala province, sits an island town vibrant with colourful clothes and happy faces. Ustupo is home to a community of some 2,000 Guna people, whose rich culture and pride in their community is kept well alive to date. 50 years ago, French…
Category: Film events and festivals
80th Venice International Film Festival: In Conversation with Nehir Tuna, Director of “Yurt”
The 80th Venice International Film Festival recently featured an intriguing and thought-provoking film, Yurt. In our exclusive interview with Nehir Tuna, we delved into the director’s background and the deep influence it had on the making of the aforementioned film. As the writer-director of the project, Tuna shared his deep personal connection to the story,…
80th Venice International Film Festival: “Yurt” Review
In the year 1996, against the backdrop of Turkey’s escalating tensions between religious and secular ideologies, a poignant and thought-provoking film, Yurt, takes us on a journey through the life of a fourteen-year-old boy named Ahmet (Doga Karakas). Raised in a secular environment, his world is upended when his recently converted father (Tansu Bicer) decides…
Ryoo Seung-wan’s “Smugglers” Review
Ryoo Seung-wan has done it again with his twelfth feature – albeit in terms of commercial, rather than critical, success. His latest film Smugglers has earned nearly £30 million since its July 26 premiere in South Korea, making it the fourth-highest grossing film of the year in the country and the summer box office champion….
80th Venice International Film Festival: “Making Of” Review
Warning: Spoilers ahead. A fantastical orchestral piece plays over a black screen. The opening credits introduce us to Making Of before throwing us into a rain-doused action scene. Without looking at the blurb one might’ve easily assumed this was the movie they were watching, but before too long, a cameraman is angrily pushed away and…
Celine Song’s “Past Lives” Review
The mundane joys of people watching have seldom been caught onscreen as effectively as they have in the opening sequence of Past Lives, the lauded directorial debut of playwright Celine Song. Entering the film from the perspective of two unseen, unnamed narrators, we’re immediately tasked with guessing the relationship dynamics between three people sitting at…
“December”: Crime, Redemption, and Second Chances – In Conversation with Shogen, Ryo Matsuura, and Film’s Producer, Mina Moteki
December, directed by Anshul Chauhan, is a powerful drama that, hypothetically, delves into the Japanese justice system while exploring the possibilities of offering a second chance to criminals. It does so through the story of prisoner Kana (Ryo Matsuura), a young woman who killed her classmate a decade earlier and whose case is being brought…
La Biennale di Venezia – 80th Venice International Film Festival; Official 2023 Venice Immersive Selections Revealed
The selection process for Venice Immersive, the XR – Extended Reality segment of the 80th Venice International Film Festival (30th August – 9th September 2023) organized by La Biennale di Venezia, has been concluded. The official program will unfold on the Venice Immersive Island (located on the island of Lazzaretto Vecchio), just a short distance…
Edison Song Discusses His Music and Explores Depth of His Latest Acting Role in “Bad Education”
Hailing from Taiwan, Edison Song has mesmerised audiences with his performances across various mediums. From his breakthrough roles in popular drama TV Shows, HIStory1: Stay Away From Me (2017), Brave to Love (2019), Moonlight Romance (2020) and I, Myself (2020), to his music career, where he has proven his versatility time and time again. With…
76th Cannes Film Festival: “If Only I Could Hibernate” Review
Social realism is the name of the game in Mongolian filmmaker Zoljargal Purevdash’s debut feature If Only I Could Hibernate. Over the past few weeks, the Un Certain Regard title has been widely celebrated as the country’s first film ever in the Cannes official selection. To be accurate, however, Hibernate is the first Mongolian feature-length…
76th Cannes Film Festival: “Omen” Review
Taken at surface level, you’d be forgiven for initially thinking rapper Baloji’s directorial debut was going to transform into a straightforwardly satirical examination of cultural tensions. Arriving in the Democratic Republic of Congo from his adopted homeland of Belgium to introduce his wider family to fiancée Alice (Lucie Debay), Koffi (Marc Zinga) is initially greeted…
76th Cannes Film Festival: “Inshallah a Boy” Review
The power of cinema in Jordan holds significant cultural, artistic, and societal importance. Jordan has a rich cinematic history, and the country has produced a number of acclaimed filmmakers and notable films that have made an impact both domestically and internationally. Cinema in Jordan has been instrumental in reflecting and exploring various aspects of Jordanian…
76th Cannes Film Festival: “Tiger Stripes” Review
You don’t need a gross visual metaphor to articulate the horrifying transformation we all undergo during puberty – but it certainly can help. The history of genre cinema is rife with adolescent allegories, from the straightforward telekinesis metaphor of Stephen King’s Carrie, to the superpowered changes that Peter Parker goes through to become a “man”…
Keishi Otomo on Capturing the Samurai Spirit in “The Legend & Butterfly”
Keishi Otomo is no stranger to making Jidaigeki, Japanese period dramas. He has directed many in his prolific career, though he is probably best known for the “Rurouni Kenshin” live-action films. The franchise adapts Nobuhiro Watsuki’s classic manga of the same name across five films: “Rurouni Kenshin”, “Kyoto Inferno”, “The Legend Ends”, “The Final” and…
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