Somewhere in the southern Chile, in a rural commune that seems to be perpetually bathed in the sun, a 12-year-old Tamara (Sara Caballero) is growing up in a seemingly free manner. The sun for her seems to be not so much the outside source of light, but a person – everything she knows and everything…
Category: Film events and festivals
26th Raindance Film Festival: Room Laundering Review
In Japan, a ‘jiko bukken’ is the name given to stigmatized properties where the last tenant has died of unnatural causes. Supposedly – according to Room Laundering at least – Japanese landlords must disclose to possible residents if the last tenant died of something out of the ordinary. Leaving landlords stuck with unrentable properties, that…
26th Raindance Film Festival: We the Kings Review
Reportedly around 94,000 children in the UK were living in care in 2016. A number that is only on the rise. With children in care four times more likely to suffer from mental health issues, and if left in care sixty times more likely to end up homeless upon leaving, it’s an issue that is…
75th Venice Film Festival: Emma Peeters Review
Emma Peeters is the second feature of the Belgian-American filmmaker Nicole Palo, following her 2009 debut feature Get Born. The international title Emma Peeters says little about her second feature, while its original title Le Suicide d’Emma Peeters, when translated directly into The Suicide of Emma Peeters, immediately paints a different picture – but despite its…
75th Venice Film Festival: Tel Aviv on Fire Review
Over the past several years, a new wave of Palestinian film directors, working on different genres, has constructed a specific, on-screen national identity. The projected images of the Palestinian productions have become much more political than the earlier narratives about the life and history of the Palestinians. However, there are still some stories to be…
75th Venice Film Festival: L’enkas Review
For a large number of former prisoners, getting out of jail is the first step of a long and complex journey of starting anew. One might expect that being released from prison should be closely associated with a newfound sense of freedom, but is it? Ulysse (Sandor Funtek: Blue is the Warmest Colour, A Wedding),…
LEAFF 2018 Pre-Fest Screening: Along with the Gods: The Last 49 Days Review
Following the success of Along with the Gods: The Two Worlds, writer-director Kim Yong-hwa returns with a sequel, with the story picking up right where it left off. I wonder how many underworld trials I would have to go through if I were to be resurrected; I can only hope that it would not be…
LEAFF 2018 Pre-Fest Screening: Along with the Gods: The Two Worlds Review
South Korean cinema is known for its wealth of excellent thrillers, horror films, historical dramas and melodramas, but its fantasy genre has been known more for the misses than the hits; it always seemed that the industry found itself slightly out of its depth when it took on the more massive, epic-level projects – or…
In Conversation with Fanni Metelius, Director of ‘The Heart’
This year, the 15th Crossing Europe Film Festival Linz gave us an up-and-close look into the exciting world of the new Swedish female feminist film power. They screened three exceptional debut films, largely made by female crews: a spirited documentary about a rising LGBT hip-hop star, Silvana (Sweden, 2017), an inspiring fiction film Beyond Dreams…
The Heart Review
The story of The Heart (Hjärtat, 2018), which was screened during the 15th Crossing Europe Film Festival Linz, starts, like many others, with a broken heart and a poem – and yet, it is not like other stories. The base for the script was a 52-pages-long collection of poems which young and fiery Swedish director, Fanni…
Dear Ex Review
When Song Zhengyuan dies, he leaves everything he has to the most important person in his life: his gay lover Jay (Roy Chiu). To his wife Liu Sanlian (Ying-Shiuan Hsieh) this comes as a shock, as it leaves nothing for her and their teenage son Chengxi (Joseph Huang). She’s livid, and jumps at the chance to…
71st Cannes Film Festival: Fugue Review
Agnieszka Smoczynska has already made her mark with her feature debut The Lure, which was awarded with the Golden Lion for the best debut in her native country, Poland. On top of that, the film was recognized overseas and received the Special Jury Prize for “a unique artistic vision and design” at the 2016 Sundance Film…
71st Cannes Film Festival: Alone at My Wedding Review
The Bucharest native Marta Bergman directed 4 documentaries about the life of Roma people in Romania, and their stories inspired her to create a fictionalized story that reflects the culture of Roma people and the struggles that the young Roma girls face as they grow up — some trying their best to break away from…
20th Udine Far East Film Festival: One Cut of the Dead Review
Is there anything that has yet to be seen in the zombie film genre? You might think there isn’t, but One Cut of the Dead, which earned itself not only a standing ovation from the audience in Udine, but also missed winning the festival audience-favourite title by a handful of votes, landing on second place,…
