Set against the sun-soaked landscapes of southern Spain, Iván & Hadoum, directed by Ian de la Rosa, tells a love story connected as much by place and everyday life as by desire and identity. Through small but meaningful moments, like reclaiming the word “hybrid,” the film quietly shows trans identity as something defined by choice…
Category: Film events and festivals
76th Berlin International Film Festival: “I Understand Your Displeasure” Review
In I Understand Your Displeasure, Kilian Armando Friedrich creates a powerful and moving portrait of domestic and migrant workers, focusing not only on their daily labour but also on the psychological pressures they face while trying to keep both life and work in balance. Friedrich’s camera remains intimately close to Heike (Sabine Thalaou), the cleaning…
76th Berlin International Film Festival: In Coversation with Kilian Armondo Friedrich, Director of “I Understand Your Displeasure”
Premiering in the Panorama section of the Berlin International Film Festival, I Understand Your Displeasure, directed by Kilian Armando Friedrich, is a wonderful work. Known for his background in documentary cinema, including Nomades du Nucléaire, which debuted in Berlin and later won the German Short Film Award, Friedrich brings the same observational intimacy and ethical…
76th Berlin International Film Festival: “Paradise” Review
Paradise is a cinematic odyssey spanning two distant countries. Directed by Jérémy Comte and co-written by Will Niava, this debut feature interrogates the seduction of deception while celebrating the stubborn, unquenchable beauty of human life. The film confronts the shadowed world of scams and street crime, yet both directors remain committed to portraying the vibrancy,…
76th Berlin International Film Festival: “Yellow Letters” Review
Premiering in Competition at the Berlin International Film Festival, Yellow Letters, directed by İlker ÇATAK and written by him alongside Ayda Meryem ÇATAK and Enis KÖSTEPEN, begins as a simple, intimate family story that gradually reveals itself to be far more powerful and troubling. The opening is shattering in its simplicity. Under the dark lights…
“Dead to Rights” Review
In December 1937, the city of Nanjing was thrust into an unimaginable nightmare. During what has become known as the Nanjing Massacre, Japanese forces captured the Chinese capital, committing atrocities that left tens of thousands dead and countless others traumatised. This dark chapter of history, filled with destruction, brutality, and human suffering, provides the setting…
Jonny Durgan’s “G.S.W” – Short Film Review
Driven by a compelling narrative, Jonny Durgan’s G.S.W. slowly tightens its grip on the viewer, refusing to let go until the final moments. Built around a single emergency, the film examines moral fracture and the collision of professional duty with personal fear. The film follows Beth (Genevieve O’Reilly: Revenge of the Sith, Rogue One, Ahsoka,…
Singapore International Film Festival: “10s Across the Borders” Review
10s Across the Borders is a pan-Asian documentary feature directed by Chan Sze-Wei, spotlighting the ballroom scene culture in Southeast Asia. Starring three pioneers Xyza Pinklady Mizrahi, Teddy Oricci, and Aurora Sun Labeija from the Philippines, Malaysia, and Thailand, it uncovers this fascinating subculture derived from African and Latinx communities in New York in a…
62nd Taipei Golden Horse Film Festival: “Beyond 93 Letters” Review
What is it like to request the end of your own life? Beyond 93 Letters follows the heavy-hearted journey of Ting-ying, who, after earning her PhD, is diagnosed with a brain tumour. After four years of ineffective treatments and relentless pain, she ultimately sends a plea for help to Dignitas, the Swiss organisation that provides…
62nd Taipei Golden Horse Film Festival: “The Long Departure” Review
One of the greatest pleasures, or perhaps essential rituals, at the Taipei Golden Horse Film Festival (TGHFF) is exploring its consistently strong shorts program, particularly the documentary section. They usually struggle to reach wider audiences outside of the festival circuit, making this showcase a rare opportunity. This year, among a blossom of Taiwanese short films,…
“Sand City” Review
Sand City (2025), Mehde Hasan’s debut feature, derives its title from the city of Dhaka: Bangladesh’s capital and a huge industrial metropolis. Directly from the opening, it becomes clear how fundamental the grainy material is to the city and its inhabitants. Sand trucks roam the streets, distributing sand from its harbour to construction sites. The…
20th London Korean Film Festival: “Frosted Window” Review
Kim Jong-kwan is surely one of a kind as a filmmaker. His work reveals a keen sensitivity to the human condition. His cinema has always been a dialogue between isolation and empathy, often exploring how people drift in and out of each other’s lives, guided by memory and the delicate tremour of feeling. From Worst…
20th London Korean Film Festival: “The Land of Morning Calm” Review
Set against the subdued beauty of a Korean fishing village, The Land of Morning Calm, written and directed by Park Ri-woong, is a restrained and moving exploration of displacement and the tensions beneath everyday life. This is not a story about national identity or grand political themes; it is about people: ordinary and flawed. The Land…
20th London Korean Film Festival: In Conversation with Kim Jong-kwan, Director of “Frosted Window”
Within the subtle intimacy of Kim Jong-kwan’s films lies an entire universe. His cinema captures the delicate spaces between people; the brief moments of longing, love, hesitation, and loss. The South Korean filmmaker, a graduate of the Seoul Institute of the Arts, has built a reputation for making films of profound emotional delicacy. From his…
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