The 39th edition of BFI Flare: London LGBTQIA+ Film Festival will take place at BFI Southbank, featuring screenings, special events, and DJ nights. The festival, known for its significance in the LGBTQIA+ film calendar, is divided into three thematic strands: HEARTS, BODIES, and MINDS. This year’s programme includes 34 World Premieres, 56 features, 1 series,…
Category: Film
75th Berlin International Film Festival: In Conversation with Sarah Miro Fischer, Director of “The Good Sister”
Sarah Miro Fischer began her film studies at the Escuela Nacional de Cine in Bogotá before returning to Germany, where she gained experience in script development, set management, and as a 2nd AD. Since 2018, she has been studying at the German Film and Television Academy Berlin, developing her craft through various projects as a…
75th Berlin International Film Festival: “The Good Sister” Review
Sarah Miro Fischer’s The Good Sister, screened in Panorama at this year’s Berlinale, is a haunting exploration of family bonds tested by the unimaginable. The film depicts the emotional turmoil of Rose (Marie Bloching), whose brother Sam (Anton Weil) is accused of a sexual offense. By centering the narrative on a sibling rather than the…
75th Berlin International Film Festival: In Conversation with Charlotte Devillers and Arnaud Dufeys, Directors of “We Believe You”
At this year’s Berlinale, We Believe You made an impact with its unflinching portrayal of the intersection between the legal system and the emotional toll of a custody battle involving abuse allegations. Directed with precision and sensitivity, the film explores the labyrinth of judicial procedures while centering on Alice, a mother fighting to protect her…
75th Berlin International Film Festival: “We Believe You” Review
Child custody battles are among the most emotionally taxing and legally complex issues in family law. The courtroom, meant to be a place of justice, can often become a space where trauma is perpetuated, particularly for victims of domestic violence and abuse. The protracted and repetitive nature of legal proceedings, where children are repeatedly asked…
75th Berlin International Film Festival: In Conversation with Rima Das, Director of “Village Rockstars 2”
Seven years after Village Rockstars (2017), filmmaker Rima Das returns to Kalardiya with Village Rockstars 2, continuing Dhunu’s (Bhanita Das) story as she faces the challenges of adulthood in her small Assamese village. Once a dreamer with ambitions of rock stardom, 17-year-old Dhunu now faces economic hardships, family responsibilities, and the weight of her mother’s…
75th Berlin International Film Festival – “Village Rockstars 2” Review
Seven years after the release of the critically acclaimed Village Rockstars (2017), filmmaker Rima Das revisits the vivid terrain of Kalardiya to continue the subtle narrative of Dhunu (Bhanita Das). Now on the cusp of adulthood, 17-year-old Dhunu confronts the complex realities of life in her small Assamese village, a world shaped by cyclical floods,…
75th Berlin International Film Festival: In Conversation with Florian Pochlatko, Director of “How to Be Normal and the Oddness of the Other World”
Mental health film narratives are arguably among the most challenging to bring to the big or silver screen due to their complexity, requiring a delicate balance between authenticity, artistic interpretation, and emotional sensitivity. Yet, Florian Pochlatko rises to the occasion with How to Be Normal and the Oddness of the Other World, a film that…
75th Berlin International Film Festival: “How to Be Normal and the Oddness of the Other World” Review
Much like the greyscale outlook of those with depressive disorders, sometimes cinema is so uninspired it seems like the entire industry has been lost to shareholders. But on one’s first watch of Florian Pochlatko’s How to Be Normal and the Oddness of the Other World, it’s like trying fudge after a lifetime of eating cardboard….
75th Berlin International Film Festival: “The Message” Review
Screened in Competition at this year’s Berlinale and winner of the Silver Bear Jury Prize, Iván Fund’s The Message is an unconventional coming-of-age story that balances the ethereal with the tangible, creating a narrative about family, perception, and connection. At its core, The Message captures the defining moment when a child gains the awareness that…
75th Berlin International Film Festival: “Hysteria” Review
A study in humanity might be one good way of summarising Mehmet Akif Büyükatalay’s 2025 film Hysteria. Where is the line between a righteous act and a performative spectacle? Büyükatalay attempts to answer the question when a dishonourable burning of a Quran for a shoot sparks conflict between parties, and Hysteria becomes a meta film…
“Cottontail” Review: A Masterful Directorial Debut
The recently bereaved Kenzaburo (Lily Franky), travels to the UK in order to scatter his late wife’s ashes in Lake Windermere accompanied by his son, Toshi (Ryo Nishikido), his wife, Satsuki (Rin Takanashi) and their daughter. Once in London, the fractious relationship between father and son intensifies leading to Kenzaburo deciding to fulfill his wife’s…
Cinema and Myth: Riar Rizaldi Discusses “Monisme” and the Enigma of Mount Merapi – Exclusive Interview
Indonesian multimedia artist and filmmaker Riar Rizaldi, known for his blend of documentary fiction and essay films, has recently completed his latest work, Monisme (2024). The film delves into themes of duality—human and non-human, nature and technology—while questioning their interconnectedness. Born from years of extensive research on Mount Merapi, one of Indonesia’s most significant volcanoes,…
Takeuchi Hideki Returns to the Far East Film Festival
Historically, cinema has predominantly engaged with the human body through the lens of science fiction, often depicting miniature characters – reduced to the size of ants – who embark on fantastical journeys within our physical form, confronting its mysteries and the limited special effects technology of bygone eras. Iconic films like Richard Fleischer’s Fantastic Voyage,…
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