2022 was quite a successful year, not only for Thai cinema, but also for the country’s TV releases. One of Bangkok’s biggest television production companies, GMMTV, which also acts as a talent agency for many popular artists, has produced a healthy amount of drama series, many of which are available in the UK through GMMTV’s…
Category: Film
“JUNG_E” Review
Most contemporary sci-fi blockbusters proudly wear their influences on their sleeve. In a movie culture where franchises are dominant, any nods to beloved films of the genre’s past can help gravitate an audience’s attention towards any original project; as much as science fiction thrives on originality, when making movies on this scale, it doesn’t hurt…
Seo Ji-hoon on Acting and His Role of Seok Jae-beom in “Revange of Others”
Seo Ji-hoon, a 25-year-old South Korean actor, debuted in 2016 in Signal, a drama show that consists of a gripping multilayered plot. Although Seo took on a minor role, he quickly gained recognition and was cast in Matching Boys Archery and The Legendary Shuttle, with the latter giving him his first nomination for KBS Drama…
Lee Tae-sung On Movies and Arts – Exclusive Interview
What happens after watching Korean dramas for over 15 years? You develop first lead syndrome or second lead syndrome. Of course, this sounds absurd, but it does happen. Throughout the years, a few actors and actresses have really stuck in my head thanks to their acting, and that includes Lee Tae-sung. Although Lee Tae-sung was…
“Broker” Review
Japanese filmmaker Hirokazu Koreeda has long claimed his biggest directorial influence is that of the British social realist master Ken Loach, even though the similarities between the pair prove superficial when examined beyond the surface. Both are most renowned for their humanist dramas that explore the struggles of those living on society’s margins, although their…
“My life had been leading me down a path designed to help me become the actor I am today.” – In Conversation with Jung Ryeo-won
Jung Ryeo-won never really thought of becoming an actress, but fate had other ideas. Korean-Australian Ryeo-won spent her teenage years in Australia, where she graduated from Griffith University with a major in International Business. One day, while visiting Korea, she was picked by a talent agent and relatively quickly became a part of a K-pop…
Netflix’s “Little Women” – In Conversation with Park Ji-hu and Nam Ji-hyun
Little Women is Korean drama at its best. While we can all agree that 2022 was an extraordinary year for female-based K-dramas, this 12-episode show is a true gem produced by the renowned Studio Dragon. The title, Little Women, has tricked many into considering it a mere adaptation of the 1868 novel of the same…
17th London Korean Film Festival: “Stellar: A Magical Ride” Review
There’s something inherently comforting about the road trip movie. Always following the same narrative formula, with little room to innovate due to its constraints, a film within this subgenre is always about a journey both literal and metaphorical – the lead character experiencing emotional growth, whilst ticking off all the expected beats you’d expect on…
17th London Korean Film Festival: “Kingmaker” Review
Released in January 2022 just weeks before the presidential election in South Korea, writer-director Byun Sung-hyun’s fourth directorial effort, Kingmaker, is as much a character drama as it is a political film. It is 1961, Seo Chang-dae (Lee Sun-kyun), a local pharmacist who fled the North, meets Kim Woon-bum (Sol Kyung-gu), an eloquent small-time politician…
17th London Korean Film Festival: “Alienoid” Review
Some films require patience to watch and some require energy. Writer-director Choi Dong-hoon’s Alienoid belongs to the latter camp for its hyperactivity. An ambitious mashup of multiple genres – sci-fi, fantasy, comedy, action, thriller, you name it – Choi’s sixth feature is, in a sense, a culmination of his filmography and much more. Alienoid does…
17th London Korean Film Festival: In Conversation with Choi Dong-hoon, Director of “Alienoid”
In 2015, during the BFI London Film Festival, I had my first conversation with South Korean filmmaker Choi Dong-hoon as he promoted his espionage action film Assassination. Several years later, he finished the script for Alienoid, a sci-fi fantasy action film. Starring a top-notch assemble of actors, including Kim Tae-ri, Kim Woo-bin, Ryu Jun-yeol, Lee…
7th London East Asia Film Festival: In Conversation with Kim Se-in, Director of “The Apartment with Two Women”
Kim Se-in, a South Korean filmmaker, began her journey in the film industry as a screenplay writer and editor. She directed a few shorts, including Hamster (2016), Playing with Fire (2018), and Container (2018). Kim’s feature debut, The Apartment with Two Women, received its world premiere at last year’s Busan International Film Festival and had…
7th London East Asia Film Festival: The Roundup Review
When The Outlaws, written and directed by Kang Yoon-sung, came out in 2017, the film became the third highest-grossing film of that year in South Korea. The production had enough thrills and suspense to satisfy even the most jaded sensation-seekers. It took a few years before the second instalment, The Roundup, was released onto the…
66th BFI London Film Festival: “The Woman in the White Car” Review
In a small Korean town, a police officer, Kim Hyun-ju (Lee Jeong-eun: Parasite, Hommage), alongside her partner, are called to a hospital to check on two sisters with one being severely injured and unconscious. We quickly learn that one of the siblings is called Do-kyung (Jung Ryeowon: Castaway on the Moon, Wok of Love, Gate),…
VIEW OF THE ARTS 