80th Venice International Film Festival: “Yurt” Review

In the year 1996, against the backdrop of Turkey’s escalating tensions between religious and secular ideologies, a poignant and thought-provoking film, Yurt, takes us on a journey through the life of a fourteen-year-old boy named Ahmet (Doga Karakas). Raised in a secular environment, his world is upended when his recently converted father (Tansu Bicer) decides…

Ryoo Seung-wan’s “Smugglers” Review

Ryoo Seung-wan has done it again with his twelfth feature – albeit in terms of commercial, rather than critical, success. His latest film Smugglers has earned nearly £30 million since its July 26 premiere in South Korea, making it the fourth-highest grossing film of the year in the country and the summer box office champion….

80th Venice International Film Festival: “Making Of” Review

Warning: Spoilers ahead. A fantastical orchestral piece plays over a black screen. The opening credits introduce us to Making Of before throwing us into a rain-doused action scene. Without looking at the blurb one might’ve easily assumed this was the movie they were watching, but before too long, a cameraman is angrily pushed away and…

Celine Song’s “Past Lives” Review

The mundane joys of people watching have seldom been caught onscreen as effectively as they have in the opening sequence of Past Lives, the lauded directorial debut of playwright Celine Song. Entering the film from the perspective of two unseen, unnamed narrators, we’re immediately tasked with guessing the relationship dynamics between three people sitting at…