78th Locarno Film Festival: “GREEN LIGHT” Review

Few subjects are as emotionally fraught or politically charged as the right to die. Yet in GREEN LIGHT, director Pavel Cuzuioc approaches this terrain not with controversy, but with a clear-eyed compassion. Premiering in the Semaine de la Critique section at the Locarno Film Festival, the film shows the life and work of Dr. Johann…

78th Locarno Film Festival: “Legend of the Happy Worker” Review

Duwayne Dunham is an artist of seemingly dual identities; both a long-term collaborator of David Lynch – directing several episodes of Twin Peaks, and editing every instalment of The Return – and a filmmaker responsible for several live-action Disney movies, both on the big screen and direct to the Disney Channel. Arriving at this year’s…

78th Locarno Film Festival: Roberto Rossellini’s “ANNO UNO” (Restored) Review

Roberto Rossellini was a key figure in Italian neorealism, known for films like Rome, Open City (1945), Paisan (1946), and Germany, Year Zero (1948). His use of non-professional actors and real locations transformed postwar cinema. Later, his collaborations with Ingrid Bergman – Stromboli (1950), Europe ’51 (1952), and Journey to Italy (1954) – showed how…

78th Locarno Film Festival: “The Fin” Review

Korean cinema continues to prove its global dominance not just through streaming platforms, but through visionary films that challenge and expand the very language of cinema. With The Fin, director Park Syeyoung delivers a haunting work, an unsettling look at control and survival in the aftermath of ideology. Set in a post-unification, ecologically devastated Korea,…

“LARGO” Short Film Review

“There are 11 million child refugees in the world. 1.3 million in Europe. 127,000 in the UK.” And each one has a name. In LARGO, we meet just one: Musa, a young Syrian boy living in the UK, who, against all odds and all the impossible rules of the adult world, sets out to build…