Homelessness is one of the most visible manifestations of social inequality. Globally, individuals experiencing homelessness often face multiple layers of marginalization – not only lacking stable housing but also encountering barriers to healthcare, employment as well as social services. The causes of homelessness are complex and intertwined, ranging from poverty, unemployment, and housing shortages to…
Category: Film
ALULA Film Festival: In Conversation with Bian Zhuo, Director of “As the Water Flows”
Bian Zhuo’s As the Water Flows is a gentle and beautiful film about aging and reconciliation, shaped by the director’s own family story. The film was inspired by the diary of Bian’s late grandfather, a man who suffered greatly during China’s Anti-Rightist Movement. What started as an attempt to recreate that hardship slowly turned into…
2025 ALULA Film Festival: “As the Water Flows” Review
One wonders what the title As the Water Flows truly means – at least until the film’s final moments, when its philosophy finally surfaces. Water moves forward, never looking back, yet somehow it reflects everything it passes. Life, Bian Zhuo seems to say, is much the same: a continuous current defined by the memories we…
Yamagata International Documentary Film Festival 2025: “When the Trees Sway, the Heart Stirs” and “Rokkoku Kitchen” Review
Directed by Lee Jiyoon, When the Trees Sway, the Heart Stirs centres on the story of residents in Seoul’s Jeongneung Valley, who have begun relocating amid plans for regional redevelopment. The director turns her lens to the mundane, everyday moments of life, walking alongside both current and former residents to capture their experiences. The film lays bare…
Yamagata International Documentary Film Festival 2025
Yamagata International Documentary Film Festival (YIDFF) 2025, the largest biennial festival focusing on documentary in Asia, gathers outstanding works from 2023 to 2025 to navigate the observance from intimate family matters to the turbulence of our living world. This year, the witness of diverse ‘home(land)’ in chaos enshrines the perseverance within people, from Palestine to…
Yamagata International Documentary Film Festival 2025: “SPI” Review
SPI (烤火房で見るいくつかの夢) directed by Sayun Simung, reveals a touching Tayal family story centring around ‘gaga’, certain routines and rituals that sustain solidarity and peace among Tayal people. After the death of Grandpa Wilang, Grandma Yabay can hardly break away from the sadness, followed by the pregnancy of the underage granddaughter, the camera unfolds how Sayun’s…
How Annemarie Jacir Brings Palestine’s Forgotten Uprising to the Screen – “Palestine 36” Review
Some filmmakers tell stories, and some preserve entire histories through their work. Palestinian filmmaker Annemarie Jacir belongs to the latter. Across her extraordinary career, from Salt of This Sea to When I Saw You and Wajib, Jacir’s work comes from a place of honesty, an understanding of her people’s struggle, and a refusal to let their…
69th BFI London Film Festival: “Left-Handed Girl” Review
Left-Handed Girl is one of those films that makes your heart ache and smile at the same time. In her stunning solo debut, Taiwanese filmmaker Shih-Ching Tsou tells the story of a family who, in the face of struggle, confront painful secrets yet ultimately rediscover what matters most: their love for one another. Following a…
69th BFI London Film Festival: In Conversation with Shih-Ching Tsou, Director of “Left-Handed Girl”
For years, Shih-Ching Tsou has been the heartbeat behind some of contemporary cinema’s most human stories. Born and raised in Taipei, she moved to New York after graduating from Fu Jen Catholic University, earning her master’s in Media Studies at The New School. Her career began with Take Out (2004), a small, vérité-style indie she…
69th BFI London Film Festival: “High Wire” Review
Hong Kong director Calif Chong, best known for her acclaimed 2019 short Underneath, delivers something different with High Wire. High Wire speaks to something human and widely felt: the way immigration reshapes people, their hopes, their fears, and their relationships with the next generation. For many immigrant parents, the act of starting over comes with…
69th BFI London Film Festival: “Hair, Paper, Water” Review
Vietnamese cinema has long existed in the margins of Southeast Asian film culture, overshadowed by the global recognition of its regional neighbours. Yet, in recent years, a resurgence has begun to take shape, led by filmmakers whose work values poetic observation over plot. Among them, Trương Minh Quý. His latest collaboration with Belgian filmmaker Nicolas…
69th BFI London Film Festival: In Conversation with Hsu Ya-Ting, Director of “Island of the Winds”
Born in Taiwan shortly before the end of martial law, Hsu Ya-Ting has become an important voice in Taiwanese documentary cinema. Her films weave together the personal and the political, exploring how memory and place shape people’s lives. With Island of the Winds, she tells an intimate story of the elderly residents of Losheng Sanatorium,…
69th BFI London Film Festival: “Island of the Winds” Review
Hsu Ya-Ting’s Island of the Winds is a heart-rending documentary that immerses the viewer in the often-overlooked lives of the elderly residents of Lesheng Sanatorium, a former leper colony on the outskirts of Taipei. From the very first moments, the film builds an intimate closeness to its subjects, allowing their memories and struggles to surface…
69th BFI London Film Festival: “ChaO” Review
From the endlessly imaginative Japanese studio STUDIO 4°C comes ChaO, a stunning animated feature that marries slapstick comedy with sweet romance, all told through a burst of colour and hand-drawn beauty that feels almost radical in today’s digital-first era. Director Yasuhiro Aoki, making his feature debut, draws on decades of experience in character animation to…
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