Few films feel as urgent as With Hasan in Gaza. Especially now, when Palestinian voices are so often drowned out, this documentary resurrects what has been erased: streets, faces, and laughter that once existed in Gaza before repeated cycles of war and occupation. While Palestine continues to endure military occupation and the horrors of genocide,…
Category: Film
69th BFI London Film Festival: “Human Resource” Review
Abortion remains one of the most polarising debates in the world: a subject weighed down by politics, religion, and morality, but rarely centred on the lived experiences of the women forced to make impossible choices. Too often, the men who play a part in unplanned pregnancies can walk away, while women are left carrying the…
Explore East Asian Cinema at LEAFF 2025: Full Film Lineup
The London East Asia Film Festival (LEAFF) returns this autumn to celebrate its 10th anniversary. From 23 October to 2 November 2025, the festival will once again transform the capital into a hub of cinematic celebration, bringing over 40 films from across the region to some of London’s most iconic venues. Over the past decade,…
Celebrating 20 Years of Korean Film: LKFF 2025
Now in its landmark 20th year, the London Korean Film Festival (LKFF) returns from 5 to 18 November 2025. Organised by the Korean Cultural Centre UK (KCCUK) and supported by the Korean Film Council, this year’s anniversary edition will unfold across BFI Southbank, Ciné Lumière, and ICA London, offering an ambitious lineup. The festival opens…
Tetsuya Mariko on His Newest Project, “Dear Stranger” – Exclusive Interview
Born in Tokyo in 1981, filmmaker Tetsuya Mariko began his creative journey making short films while studying at Hosei University. Early works such as The Far East Apartment (2003) and Mariko’s 30 Pirates (2004) earned him early awards, with the latter winning the Grand Prix at the Yubari International Fantastic Film Festival. His debut feature,…
Behind the Scenes of ENHYPEN’s VR Concert – Exclusive Interview with the AMAZE VR Team
Virtual reality has always been a medium that divides creatives. For some, it’s the future of storytelling, for others, it’s an overwhelming, almost alien technology, one that can never fully replace the intimacy of live performance or the tactile beauty of hand-crafted visuals. But whether you love it or approach it with caution, VR has…
Experience the Magic of Another Fanmeet: JIB DREAM FANMEET in Rome Details
Over the past decade, Thailand’s Boys’ Love (BL) dramas have become far more than niche entertainment. They are vibrant, emotionally rich stories that allow characters and viewers to explore vulnerability, identity, and romance without apology. One of the genre’s most unique strengths is pairing consistency: actors who work together across multiple series build trust and…
30th Busan International Film Festival: In Conversation with Frederik Sølberg, Director of “Hana Korea”
Frederik Sølberg is a Danish filmmaker whose work connects the worlds of documentary and narrative cinema, exploring stories that illuminate human identity and belonging. He is known for his careful attention to detail and for bringing real-life experiences to the screen. Fifteen years ago, a first visit to South Korea left an impression on Sølberg….
30th Busan International Film Festival: “Shape of Momo” Review
Shown at this year’s Busan International Film Festival, Tribeny Rai’s debut feature, Shape of Momo, is a wonderful piece of writing. A powerful film that listens closely to the hidden struggles of women living within the limits of tradition. The narrative centres on Bishnu, a 32-year-old who abandons her city job and returns to her…
Sylvia CHANG Receives BIFF x CHANEL 2025 Camellia Award at the 30th Busan International Film Festival
Taiwanese filmmaker Sylvia Chang has been awarded the 2025 Camellia Award for her groundbreaking contributions across generations and roles, paving the way for Asian women in cinema. The Camellia Award, presented by CHANEL in partnership with the Busan International Film Festival, honors women whose cultural and artistic impact shapes the film industry. At the 30th…
30th Busan International Film Festival: “Dear Stranger” Review
Tetsuya Mariko’s Dear Stranger begins not with the disappearance of a child, but with the erosion of a marriage. Kenji (Hidetoshi Nishijima: Drive My Car, Serpent’s Path), a Japanese architecture professor in New York, and Jane (Gwei Lun-Mei: The Wild Goose Lake), a Taiwanese-American puppeteer who has put her art aside to raise their young…
30th Busan International Film Festival: “Hana Korea” Review
For many North Korean defectors, crossing the border is not the end of a story but the start of another kind of struggle. Frederik Sølberg’s Hana Korea, co-written with Sharon Choi, goes straight into that fraught second chapter. The film is a great story of adaptation and loss: how the comforts of a new country…
European Women Filmmakers Take Stage at the 30th Busan International Film Festival
European Film Promotion (EFP), a consortium of 37 national film organizations, is devoted to bringing the richness of European cinema and its creators to the attention of the international film industry and press. This year in Busan, EFP will back 69 European titles invited to the festival, alongside the participation of 19 global distributors connected…
BFI London Film Festival 2025: A Strong Year for Asian Cinema
The 2025 BFI London Film Festival has announced a particularly rich programme, one that emphasising its role as a global event for daring, ambitious as well as diverse cinema. Among the many highlights, Park Chan-wook’s No Other Choice is probably one of the year’s most anticipated Gala selections. The darkly comic thriller follows a desperate…
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