Lee Tae-sung On Movies and Arts – Exclusive Interview

What happens after watching Korean dramas for over 15 years? You develop first lead syndrome or second lead syndrome. Of course, this sounds absurd, but it does happen. Throughout the years, a few actors and actresses have really stuck in my head thanks to their acting, and that includes Lee Tae-sung.  Although Lee Tae-sung was…

“Broker” Review

Japanese filmmaker Hirokazu Koreeda has long claimed his biggest directorial influence is that of the British social realist master Ken Loach, even though the similarities between the pair prove superficial when examined beyond the surface. Both are most renowned for their humanist dramas that explore the struggles of those living on society’s margins, although their…

“I had such good help on this project. I feel incredibly blessed.” – In Conversation with Christine Ko, Director of “The Woman in the White Car”

Although there has been some visible progress over the past few years, female filmmakers still remain largely unseen either in front of the camera or behind it. While pushing through a world that is dominated by men, female filmmakers have shown that there are still countless stories to tell, stories that the opposite gender might…

17th London Korean Film Festival: “Alienoid” Review

Some films require patience to watch and some require energy. Writer-director Choi Dong-hoon’s Alienoid belongs to the latter camp for its hyperactivity. An ambitious mashup of multiple genres – sci-fi, fantasy, comedy, action, thriller, you name it – Choi’s sixth feature is, in a sense, a culmination of his filmography and much more. Alienoid does…

66th BFI London Film Festival: “The Woman in the White Car” Review

In a small Korean town, a police officer, Kim Hyun-ju (Lee Jeong-eun: Parasite, Hommage), alongside her partner, are called to a hospital to check on two sisters with one being severely injured and unconscious. We quickly learn that one of the siblings is called Do-kyung (Jung Ryeowon: Castaway on the Moon, Wok of Love, Gate),…

66th BFI London Film Festival: “Decision to Leave” Review

It may not seem like it at first glance, but Park Chan-wook’s films are those of a distinctly romantic disposition. His narratives typically explore the tension that arises when erotic and emotional idealism meets cold, hard reality; in his films, the only happy romances can be found in either the dispassionate confines of a mental…

Fragments Festival: “To Kill The Beast” Review

To Kill The Beast is the first feature film of Agustina San Martin, whose short films have garnered prestigious awards at film festivals including Cannes with Monster God (2019). The Argentinian director has also worked as a screenwriter, colourist, and cinematographer. Between 2020 and 2022, she was mentored by Lin-Manuel Miranda, actor, singer, songwriter and…