Machines have feelings just like us, or at least that’s what Zoé Wittock’s debut feature film Jumbo would have you believe. Centred on the love affair between Jeanne (A Portrait of a Lady on Fire’s Noémie Merlant) and a theme park ride she’s named Jumbo, this erotic drama, which is based on a ‘true’ story,…
Category: Foreign Films
70th Berlin International Film Festival: Yalda – A Night For Forgiveness Review
It took a while for Iranian cinema to come to light, nonetheless, this doesn’t mean that there haven’t been any works worth paying attention to. With Abbas Kiarostami, Rakhshān Banietemad, Bahram Beyzai, Dariush Mehrjui, and Asghar Farhadi paving the way for worldwide recognition, Iranian cinema became a frequent ‘guest’ at many prestigious film festivals. Although…
Brotherhood Review
Nominated for Best Live Action Short Film at the 92nd Oscar Awards, Meryam Joobeur’s Brotherhood is an emotive, discerning and complex look at ISIS’ effect locally on Tunisian families. Mohamed (Mohamed Grayaâ) and his wife, Salha (Salha Nasraoui), are devout Muslims living quiet lives as shepherds with two of their sons in rural Tunisia. A…
In Conversation with Lee Sang-geun, Director of ‘Exit’
Lee Sang-geun began his career as a filmmaker in 1999 by making short films. In 2006, Lee was awarded Best Film at the Mise-en-scène Short Film Festival and, a year later, he received the Grand Prix at the Daegu Short Film Festival for Mr. Self-Portrait. In addition to directing, Lee worked as a production assistant on 2008…
14th London Korean Film Festival: In Conversation with Lee Byeong-heon, Director of ‘Extreme Job’
Before moving behind a camera, Lee Byeong-heon worked as a writer, script editor and actor. He gained huge popularity in 2015 when he released Twenty, a coming-of-age film starring Kim Woo-bin, Lee Jun-ho, and Kang Ha-neul, the biggest stars of their generation. After Twenty, he went on to direct web drama Be Positive (2016) and…
Vertigo (Enduring) Review
Life can often throw you curveballs, but a person can only endure so much while also trying to reach deeper into oneself to find what gives them a reason to live. Vertigo, written and directed by Jeon Gye-soo, depicts one of these emotional and complex life stories. Seo-young (Chun Woo-hee: The Wailing, Han Gong-ju) struggles with her existence;…
4th London East Asia Film Festival: In Conversation with Jung Hae-in of ‘Tune in for Love’
It’s been five years since Jung Hae-in debuted as an actor. He shot to stardom in 2014 after appearing in a TV drama Bride of the Century, followed by The Three Musketeers, a period drama TV series. Within this short time, the young actor has not only been seen on TV, but also in films, with…
4th London East Asia Film Festival: Closing Night Gala – I’m Livin’ It Review
I’m Livin’ It is the directorial debut of Wong Hing Fan. It stars Aaron Kwok as Bowen, an ex–insurance broker, who it seems has been to prison for embezzlement. A frequent customer at a 24-hour fast food restaurant, clearly meant to be McDonald’s, Bowen is the focal point of the narrative, around which a variety…
4th London East Asia Film Festival – In Conversation with Ryu Jun-yeol
Sunny days are rare in the UK during the Autumn, but who needs them when Ryu Jun-yeol is in London and his bright personality and smile brightens up the day? At one of London’s hotels, the actor greets us with a warm handshake. As we sit comfortably on the Victorian looking sofa, he enthusiastically invites…
63rd BFI London Film Festival: The Dude in Me Review
Body swap comedies are beloved for their bold and ludicrous takes on what happens when opposites switch. Defined by the occurrence of two characters swapping physical states but maintaining their prior personalities, body swap films offer up absurd and fanciful interpretations of what can happen when you take characters and place them in an extreme…
76th Venice International Film Festival: Lingua Franca Review
As the Trump reign rages on, the illegal immigrants are solidly placed among the most marginalized and prosecuted groups in the USA, even though the government’s zero-tolerance policy hasn’t quite quenched the numbers of those seeking a brighter future in what used to be seen as the land of the free. In 2017, the estimate…
76th Venice International Film Festival: Chola (Shadow of Water) Review
Chola is an uncompromising and uncomfortable film that attempts to tackle the alarming sexually oppressed female experience of modern India. Yet, while writer/director Sanal Kumar Sasidharan pretties and dresses up the journey with wide, ambitiously beautiful shots of rural Kerala, the destination is left jarringly raw and brutally morbid. What starts as a charmingly simple…
76th Venice International Film Festival: Just 6.5 Metri Shisho Nim Review
For over a decade, Iran has been witnessing a rise in the number of drug addicts; drug abuse, which is often concentrated on the use of opium and its derivative substances, has risen double in the country since 2017 and even with strict laws and punishments, it seems like there is still no successful solution…
Bong Joon-ho’s Parasite Review
Seeing Bong Joon-ho’s work makes one believe time and again that the art of film excellence has not yet disappeared. South Korean director, known for The Host, Okja and Snowpiercer, gifted the film goers with yet another sublime production of his this year: Parasite; a perverse, comical, contemporary yet daunting film that won the Palme…
VIEW OF THE ARTS 